Statements (61)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:theatre
|
| gptkbp:adaptation |
Biblical story of Salome
|
| gptkbp:artist |
gptkb:Richard_Strauss
|
| gptkbp:based_on |
Salome by Oscar Wilde
the play Salome |
| gptkbp:character_appearance |
Kaja Puto
|
| gptkbp:choreography |
gptkb:Martha_Clarke
|
| gptkbp:directed_by |
gptkb:Robert_Wilson
|
| gptkbp:has_character |
gptkb:Salome
gptkb:Herod gptkb:Jokanaan |
| https://www.w3.org/2000/01/rdf-schema#label |
Salome (new production)
|
| gptkbp:is_influenced_by |
gptkb:Symbolism
|
| gptkbp:is_part_of |
gptkb:opera
2023-2024 opera season |
| gptkbp:lighting |
gptkb:Jennifer_Tipton
|
| gptkbp:notable_for |
gptkb:Dance_of_the_Seven_Veils
its historical significance its emotional depth its orchestration its historical context its cultural impact its audience engagement its visual storytelling its use of symbolism its emotional performances its artistic merit its artistic vision its critical reception powerful performances its exploration of morality its artistic collaboration its exploration of gender roles its thematic richness its cultural relevance stunning visuals its dramatic tension its commentary on power dynamics its legacy in opera its reception history its dramatic climax its innovative direction its staging innovations its vocal demands its audience response its impact on modern opera its libretto its reinterpretation of the source material its themes of desire and power its unique interpretation of characters |
| gptkbp:performed_by |
gptkb:The_Metropolitan_Opera_House
gptkb:The_Metropolitan_Opera_Orchestra English |
| gptkbp:premiered_on |
gptkb:2023
|
| gptkbp:produced_by |
gptkb:Borough
gptkb:The_Metropolitan_Opera |
| gptkbp:received |
critical acclaim
|
| gptkbp:set_in |
gptkb:Herod's_palace
gptkb:Richard_Strauss's_score |
| gptkbp:bfsParent |
gptkb:Frankfurt_Opera
|
| gptkbp:bfsLayer |
4
|