Saint-Saëns' Symphony No. 3
GPTKB entity
Statements (53)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:symphony
|
| gptkbp:arrangements |
arranged for various ensembles
|
| gptkbp:artistic_innovation |
known for its innovative use of the organ
|
| gptkbp:artistic_legacy |
remains a significant part of the classical canon
|
| gptkbp:audience |
popular with audiences for its emotional depth
|
| gptkbp:characteristic |
combines classical and romantic elements
|
| gptkbp:composer |
gptkb:Camille_Saint-Saëns
|
| gptkbp:critical_reception |
generally well-received by critics
|
| gptkbp:cultural_impact |
considered a staple of the orchestral repertoire
|
| gptkbp:cultural_references |
referenced in various cultural contexts
|
| gptkbp:cultural_significance |
often featured in film and media
|
| gptkbp:dedication |
to the memory of Franz Liszt
|
| gptkbp:duration |
approximately 40 minutes
|
| gptkbp:educational_use |
used in music education and analysis
|
| gptkbp:first_performance |
Wiener Musikverein, Vienna
|
| gptkbp:historical_context |
composed during the late Romantic period
reflects the musical trends of the 19th century |
| gptkbp:historical_significance |
marks a transition in symphonic writing
|
| https://www.w3.org/2000/01/rdf-schema#label |
Saint-Saëns' Symphony No. 3
|
| gptkbp:influence |
inspired by the symphonic poem genre
|
| gptkbp:influenced_artists |
influenced film score composers
|
| gptkbp:influenced_by |
Franz Liszt's symphonic poems
|
| gptkbp:inspiration |
inspired later composers like Sergei Rachmaninoff
|
| gptkbp:instruments |
strings, woodwinds, brass, percussion, organ
|
| gptkbp:key |
C minor
|
| gptkbp:legacy |
remains a significant work in the symphonic repertoire
|
| gptkbp:music_composer |
influenced composers like Aaron Copland
|
| gptkbp:music_style |
symphonic form
analyzed for its structure and themes |
| gptkbp:notable_collaborations |
collaborated with prominent musicians of the time
|
| gptkbp:notable_conductors |
conducted by famous conductors like Leonard Bernstein
|
| gptkbp:notable_feature |
use of organ
|
| gptkbp:notable_performances |
performed at prestigious venues like Carnegie Hall
|
| gptkbp:notable_production |
premiered by the Boston Symphony Orchestra
|
| gptkbp:notable_recordings |
notable recordings by orchestras like the Berlin Philharmonic
|
| gptkbp:number_of_movements |
three
|
| gptkbp:orchestration |
orchestra and organ
|
| gptkbp:performance |
approximately 40 minutes
frequently performed in symphonic concerts |
| gptkbp:performance_tradition |
often performed in concert halls worldwide
often performed in festivals and competitions |
| gptkbp:premiere |
October 19, 1886
|
| gptkbp:record_label |
recorded by major labels like Deutsche Grammophon
|
| gptkbp:recordings |
widely recorded by various orchestras
|
| gptkbp:second_movement |
gptkb:Allegro
gptkb:Allegro_moderato gptkb:Poco_adagio |
| gptkbp:signature |
one of Saint-Saëns' most famous compositions
|
| gptkbp:thematic_element |
explores themes of life and death
|
| gptkbp:theme |
features memorable themes and motifs
|
| gptkbp:bfsParent |
gptkb:Cameron_Carpenter
gptkb:Concerto_for_Organ_and_Orchestra |
| gptkbp:bfsLayer |
5
|