Statements (240)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:album
gptkb:music_video gptkb:film |
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Jackson_Browne
gptkb:The_Jackson_Browne gptkb:Asylum_Records gptkb:River_Phoenix gptkb:The_Live_Series:_The_1978_No_Nukes_Concerts gptkb:Peter_Peterson gptkb:Opal_Records |
| gptkbp:album |
gptkb:Running_on_Empty_(album)
gptkb:Running_on_Empty |
| gptkbp:artist |
gptkb:Jackson_Browne
|
| gptkbp:associated_act |
gptkb:The_Eagles
|
| gptkbp:audience |
Mixed audience reviews.
Open to various interpretations. Leaves a lasting impression. Engages viewers emotionally. Connects with viewers on a personal level. Received positive critical acclaim. |
| gptkbp:awards |
Academy Award nomination for Best Supporting Actress
Academy Award nomination for Best Supporting Actor nominated for MTV Video Music Awards |
| gptkbp:box_office |
$2.5 million
$10.5 million |
| gptkbp:budget |
$6 million
|
| gptkbp:certification |
gptkb:Platinum
gptkb:item |
| gptkbp:character |
gptkb:Television_personality
gptkb:military_unit gptkb:Arthur_Pope gptkb:Danny_Pope gptkb:hospital gptkb:church gptkb:legislation gptkb:Detective gptkb:class gptkb:candy gptkb:Acquaintance gptkb:Bystander gptkb:Stranger gptkb:fandom gptkb:Judge gptkb:Police_Department gptkb:newspaper gptkb:Court_Clerk gptkb:restaurant gptkb:Educational_Institution gptkb:tourist_attraction gptkb:Bailiff gptkb:Classmate gptkb:engine gptkb:railway_line gptkb:park gptkb:Prisoner Family member Fugitive Volunteer Neighbor Pedestrian Visitor Local Resident School Principal Community Member Shop Owner Delivery Person Shopper Audience Member Store Clerk Passerby Family Friend Officer's Partner City Official Mr. Mc Carthy Annie Pope Lorna Pope Struggles with personal identity. Danny's friend Danny's girlfriend |
| gptkbp:character_arc |
Danny's journey towards independence.
|
| gptkbp:character_development |
Focuses on the growth of the main characters.
Characters evolve throughout the film. Deep character development. |
| gptkbp:character_relationships |
Internal and external conflicts.
Explores complex family dynamics. Explores dynamics of a fugitive family. Explores sibling relationships. Family vs. societal expectations. Focuses on familial bonds. |
| gptkbp:chart_position |
#2 on Billboard 200
#2 on Billboard Hot 100 #3 on Billboard 200 |
| gptkbp:cinematography |
gptkb:Victor_J._Kemper
documentary style fast-paced cuts |
| gptkbp:country |
gptkb:United_States
|
| gptkbp:cover_art |
Running on Empty cover art
|
| gptkbp:critical_reception |
Positive reviews
positive reviews Positive reviews from critics. |
| gptkbp:cultural_impact |
Cult following
Cult following. classic rock staple Impact on youth culture. Impact on discussions of family dynamics. Set against the backdrop of the 1980s. |
| gptkbp:cultural_references |
References to 1980s culture.
|
| gptkbp:cultural_significance |
Reflects the counterculture of the 1980s.
Significant in American cinema. |
| gptkbp:directed_by |
gptkb:Sidney_Lumet
|
| gptkbp:director |
gptkb:Lenny_Kaye
|
| gptkbp:distributor |
gptkb:Columbia_Pictures
|
| gptkbp:edited_by |
gptkb:Dede_Allen
|
| gptkbp:film_festival |
gptkb:film_festival
Screened at the Cannes Film Festival. |
| gptkbp:film_score |
Original score by David Shire.
|
| gptkbp:filming_location |
gptkb:New_Jersey
gptkb:New_York Filmed in various locations in New Jersey. |
| gptkbp:filmography |
gptkb:Dede_Allen
Examined for its narrative structure. Realistic and relatable. Analyzed for its emotional depth. Influenced later films about family. Utilizes naturalistic cinematography. |
| gptkbp:follows |
gptkb:The_Pretender
|
| gptkbp:genre |
gptkb:band
gptkb:High_School |
| gptkbp:has_backstory |
Characters have rich backstories.
|
| gptkbp:home_media_release |
Released on Blu-ray.
Released on DVD. DVD release in 2001 Blu-ray release in 2013 |
| https://www.w3.org/2000/01/rdf-schema#label |
Running on Empty
|
| gptkbp:influenced |
Contemporary rock
|
| gptkbp:influenced_artists |
Influenced future coming-of-age films.
|
| gptkbp:influenced_by |
Folk rock
pop rock folk rock country rock Social issues of the time. |
| gptkbp:influences |
Real-life events
Inspired by real-life events. |
| gptkbp:inspiration |
Based on the experiences of the director.
The life of a fugitive family |
| gptkbp:is_critical_for |
Analyzed for its themes of rebellion.
|
| gptkbp:is_criticized_for |
Critically acclaimed for performances.
Critically praised for its direction. |
| gptkbp:is_featured_in |
various films and TV shows
|
| gptkbp:is_motivated_by |
Driven by the desire for a normal life.
Motivated by the need for safety. |
| gptkbp:label |
gptkb:Asylum_Records
|
| gptkbp:language |
English
Notable for its poignant dialogue. |
| gptkbp:legacy |
Considered a classic album
Considered a classic coming-of-age film. Influenced filmmakers in the genre. |
| gptkbp:length |
4:56
39:01 |
| gptkbp:live_performance |
Jackson Browne live performances
often performed by Jackson Browne |
| gptkbp:lyricist |
gptkb:Jackson_Browne
gptkb:David_Lindley |
| gptkbp:motif |
Motifs of family loyalty.
Recurring motifs of escape. |
| gptkbp:music_by |
gptkb:David_Shire
|
| gptkbp:music_style |
verse-chorus form
narrative performance |
| gptkbp:music_video |
rock music fans
live performance footage Running on Empty music video |
| gptkbp:narrative_style |
Character-driven
Character-driven storytelling. Character-driven narrative. Complex narrative structure. |
| gptkbp:notable_song |
gptkb:Cocaine
gptkb:Stay gptkb:Running_on_Empty |
| gptkbp:notable_tracks |
gptkb:Stay
gptkb:Running_on_Empty gptkb:The_Load-Out |
| gptkbp:plot |
A family of fugitives from the law struggles to maintain a normal life.
A family of fugitives struggles to maintain their lifestyle while on the run. |
| gptkbp:precedes |
Hold Out
|
| gptkbp:produced_by |
gptkb:Sidney_Lumet
gptkb:Janet_Yang |
| gptkbp:producer |
gptkb:Jackson_Browne
gptkb:Greg_Ladanyi |
| gptkbp:public_perception |
Resonates with audiences.
|
| gptkbp:rating |
PG-13
|
| gptkbp:recording_location |
gptkb:Sunset_Sound_Recorders
gptkb:The_Record_Plant gptkb:The_Record_Plant,_Los_Angeles |
| gptkbp:release_date |
gptkb:1977
October 14, 1988 1977-07-09 September 16, 1988 |
| gptkbp:release_format |
gptkb:single
Theatrical release. |
| gptkbp:release_year |
gptkb:1977
gptkb:1988 |
| gptkbp:released |
gptkb:1988
|
| gptkbp:released_in |
gptkb:1988
|
| gptkbp:remake |
No known remakes.
|
| gptkbp:remastered |
included in Jackson Browne's compilations
|
| gptkbp:resolution |
Characters find resolution by the end.
|
| gptkbp:runtime |
116 minutes
|
| gptkbp:screenings |
Often screened in film studies.
|
| gptkbp:screenplay_by |
gptkb:Eleanor_Perry
gptkb:Eleanor_Bergstein |
| gptkbp:setting |
gptkb:New_Jersey
|
| gptkbp:soundtrack |
gptkb:Original_score_by_David_Shire
Includes original songs. |
| gptkbp:starring |
gptkb:Christine_Lahti
gptkb:Judd_Hirsch gptkb:River_Phoenix gptkb:Martha_Plimpton |
| gptkbp:symbolism |
Represents the struggle for freedom.
|
| gptkbp:thematic_element |
Themes of identity and belonging.
|
| gptkbp:theme |
family and sacrifice
Family and sacrifice. life on the road |
| gptkbp:themes |
journey and exploration
Explores themes of freedom. Explores themes of loyalty. Themes of resilience. Themes of sacrifice and love. |
| gptkbp:track |
gptkb:Cocaine
gptkb:The_Road gptkb:Rosie gptkb:Running_on_Empty For a Dancer You Love the Thunder Nothing But Time I Love to See You Dance Load Out/ Stay Shaky Town |
| gptkbp:visitors |
Emotional and thought-provoking.
|
| gptkbp:writer |
gptkb:Jackson_Browne
|