gptkbp:instanceOf
|
Film cinematographer
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gptkbp:activeYears
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1984
present
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gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Cinematography
Academy Award for Best Cinematography
|
gptkbp:birthDate
|
1949-05-24
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gptkbp:birthPlace
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Torquay,_Devon,_England
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gptkbp:children
|
2
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gptkbp:collaboratedWith
|
gptkb:Sam_Mendes
gptkb:Denis_Villeneuve
gptkb:Coen_Brothers
|
gptkbp:education
|
gptkb:National_Film_and_Television_School
|
gptkbp:filmography
|
gptkb:The_World_at_War
1973
1984
The Bitch
|
gptkbp:genre
|
Action
Drama
Science Fiction
Thriller
War
|
https://www.w3.org/2000/01/rdf-schema#label
|
Roger E. A. Deakins
|
gptkbp:influenced
|
Filmmakers
Cinematographers
Students of cinematography
|
gptkbp:influencedBy
|
gptkb:Andrei_Tarkovsky
gptkb:Roger_Corman
gptkb:Sergio_Leone
|
gptkbp:knownFor
|
Visual storytelling
Camera work
Lighting techniques
|
gptkbp:nationality
|
British
|
gptkbp:notableWork
|
gptkb:Skyfall
1917
The Shawshank Redemption
No Country for Old Men
|
gptkbp:residence
|
gptkb:Los_Angeles,_California
|
gptkbp:signature
|
Color palettes
Depth of field
Wide shots
Naturalistic lighting
Long takes
|
gptkbp:spouse
|
gptkb:James_Deakins
|
gptkbp:website
|
http://www.rogerdeakins.com
|