|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:box_office
|
$10.6 million
|
|
gptkbp:budget
|
$22 million
|
|
gptkbp:character
|
gptkb:The_Old_Man
gptkb:Dr._Marie_Lazarus
gptkb:Robo_Cop
gptkb:Karn
gptkb:Darren_Mc_Gavin
gptkb:Murphy
gptkb:The_Ninja
The CEO
Joi
|
|
gptkbp:cinematography
|
gptkb:Dariusz_Wolski
|
|
gptkbp:cinematography_by
|
gptkb:Dariusz_Wolski
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:costume_design
|
gptkb:Michael_Kaplan
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:director
|
gptkb:Fred_Dekker
|
|
gptkbp:distributor
|
gptkb:Orion_Pictures
gptkb:MGM
|
|
gptkbp:edited_by
|
gptkb:Michael_A._Stevenson
|
|
gptkbp:editing
|
gptkb:Michael_A._Stevenson
|
|
gptkbp:editor
|
gptkb:Michael_A._Stevenson
|
|
gptkbp:features
|
gptkb:Cyborg
gptkb:humor
social commentary
crime fighting
action sequences
corporate greed
futuristic technology
|
|
gptkbp:film_series
|
gptkb:Robo_Cop
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
|
|
gptkbp:followed_by
|
gptkb:Robo_Cop:_Prime_Directives
gptkb:Robo_Cop_(2014)
|
|
gptkbp:follows
|
gptkb:Robo_Cop_2
|
|
gptkbp:genre
|
gptkb:action
gptkb:science_fiction
|
|
gptkbp:home_media_release
|
gptkb:1994
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Robo Cop 3
|
|
gptkbp:influenced_by
|
gptkb:Robo_Cop_2
gptkb:Robo_Cop
gptkb:Robo_Cop_franchise
action films
cyberpunk genre
|
|
gptkbp:language
|
English
|
|
gptkbp:makeup_artist
|
gptkb:Greg_Cannom
|
|
gptkbp:music_by
|
gptkb:John_Murphy
|
|
gptkbp:music_composer
|
gptkb:John_Murphy
|
|
gptkbp:narrative_theme
|
gptkb:law_enforcement
gptkb:betrayal
gptkb:justice
gptkb:loyalty
gptkb:friendship
gptkb:identity
gptkb:sacrifice
gptkb:rebellion
hope
morality
crime and justice
redemption
violence
fear
technology and humanity
surveillance
corporate greed
corporate control
technology vs humanity
|
|
gptkbp:notable_aspect
|
gptkb:special_effects
cultural references
social commentary
action sequences
exploration of identity
use of humor
character development of Robo Cop
conflict with OCP
depiction of a dystopian future
focus on corporate greed
introduction of a new Robo Cop suit
portrayal of resistance fighters
presence of ninjas
relationship with Anne Lewis
themes of humanity vs. technology
|
|
gptkbp:precedes
|
gptkb:Robo_Cop:_Prime_Directives
|
|
gptkbp:predecessor
|
gptkb:Robo_Cop_2
gptkb:Robo_Cop
|
|
gptkbp:produced_by
|
Larry Gordon
|
|
gptkbp:production_company
|
gptkb:Orion_Pictures
|
|
gptkbp:rating
|
PG-13
|
|
gptkbp:release_date
|
gptkb:1993
September 17, 1993
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1993
|
|
gptkbp:released_in
|
gptkb:1993
|
|
gptkbp:runtime
|
104 minutes
|
|
gptkbp:screenplay
|
gptkb:Frank_Miller
|
|
gptkbp:screenplay_by
|
gptkb:Frank_Miller
|
|
gptkbp:sequel
|
gptkb:Robo_Cop_2
|
|
gptkbp:set_in
|
gptkb:Detroit
|
|
gptkbp:setting
|
gptkb:Detroit
|
|
gptkbp:soundtrack
|
gptkb:Robo_Cop_3:_Original_Motion_Picture_Soundtrack
|
|
gptkbp:special_effects
|
gptkb:Industrial_Light_&_Magic
|
|
gptkbp:starring
|
gptkb:Nancy_Allen
gptkb:Robert_John_Burke
gptkb:Rip_Torn
gptkb:C._CH._Pounder
|
|
gptkbp:successor
|
gptkb:Robo_Cop:_Prime_Directives
|
|
gptkbp:themes
|
gptkb:law_enforcement
gptkb:identity
technology and humanity
corporate greed
dystopia
|
|
gptkbp:visual_effects
|
gptkb:Industrial_Light_&_Magic
Robo Cop 3 Visual Effects Team
|
|
gptkbp:bfsParent
|
gptkb:Kurtwood_Smith
gptkb:Robocop
gptkb:Robo_Cop
|
|
gptkbp:bfsLayer
|
5
|