Statements (53)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
artwork
|
| gptkbp:analyzes |
cultural identity
consumerism the role of the artist the role of the viewer |
| gptkbp:associatedWith |
Pop Art
mixed media art the avant-garde assemblage art Robert_Rauschenberg's_career |
| gptkbp:celebratedIn |
art exhibitions
art literature art documentaries |
| gptkbp:characterizedBy |
mixing painting and sculpture
|
| gptkbp:createdBy |
gptkb:Robert_Rauschenberg
|
| gptkbp:depictedIn |
group exhibitions
solo exhibitions |
| gptkbp:exemplifies |
interdisciplinary art
postmodern art |
| gptkbp:exhibitedAt |
gptkb:The_Whitney_Museum_of_American_Art
gptkb:Museum_of_Modern_Art gptkb:The_Guggenheim_Museum |
| gptkbp:explores |
the relationship between art and life
the concept of authorship the concept of originality |
| https://www.w3.org/2000/01/rdf-schema#label |
Rauschenberg's Combines
|
| gptkbp:impact |
contemporary art
|
| gptkbp:influenced |
performance art
installation art conceptual art later artists |
| gptkbp:influencedBy |
Dadaism
|
| gptkbp:inspiredBy |
popular culture
everyday life |
| gptkbp:isCriticizedFor |
yes
|
| gptkbp:movement |
gptkb:Neo-Dada
|
| gptkbp:notableWorks |
Canyon
Bed Monogram |
| gptkbp:partOf |
Rauschenberg's_oeuvre
|
| gptkbp:recognizedBy |
critics
art historians |
| gptkbp:reflects |
post-war sentiments
American_culture |
| gptkbp:technique |
collage
assemblage found objects |
| gptkbp:utilizes |
paint
sculptural elements non-traditional materials textual elements photographic images |
| gptkbp:wasEstablishedIn |
1950s
|