Statements (49)
Predicate | Object |
---|---|
gptkbp:instanceOf |
play
|
gptkbp:adaptation |
film adaptation
theatrical adaptation opera adaptation |
gptkbp:basedOn |
Hamlet_by_William_Shakespeare
|
gptkbp:characterDevelopment |
Claudius's_guilt
Gertrude's_complicity Hamlet's_internal_conflict Ophelia's_descent_into_madness |
gptkbp:criticalReception |
widely studied
performed frequently adapted into various media |
gptkbp:culturalImpact |
inspired numerous adaptations
referenced in popular culture analyzed in academic settings influenced other playwrights |
gptkbp:genre |
tragedy
|
https://www.w3.org/2000/01/rdf-schema#label |
Prince Alfred's Hamlet
|
gptkbp:influence |
psychology
philosophy theater modern literature |
gptkbp:language |
English
|
gptkbp:mainCharacter |
gptkb:Claudius
gptkb:Ophelia Hamlet Gertrude |
gptkbp:notableFeature |
David_Tennant's_portrayal
Ethan_Hawke's_adaptation Francesca_Annis's_portrayal Kenneth_Branagh's_adaptation Laurence_Olivier's_portrayal |
gptkbp:notableQuote |
The lady doth protest too much, methinks.
To be, or not to be, that is the question. Something_is_rotten_in_the_state_of_Denmark. There_are_more_things_in_heaven_and_earth,_Horatio,_than_are_dreamt_of_in_your_philosophy. |
gptkbp:premieredOn |
1890
|
gptkbp:publishedIn |
1890
|
gptkbp:publisher |
gptkb:Macmillan
|
gptkbp:setting |
gptkb:Denmark
|
gptkbp:symbolism |
the garden
the play within a play the ghost the_skull_(Yorick) |
gptkbp:theme |
betrayal
madness revenge mortality |
gptkbp:wrote |
gptkb:Alfred,_Lord_Tennyson
|