Statements (48)
Predicate | Object |
---|---|
gptkbp:instanceOf |
theatre
|
gptkbp:characterizedBy |
diversity of styles
|
gptkbp:explores |
social change
historical memory identity issues |
gptkbp:features |
political themes
|
gptkbp:hasCitations |
funding issues
audience engagement censorship |
gptkbp:hasImpactOn |
civic engagement
artistic expression youth culture |
gptkbp:hasInfluenceOn |
gptkb:European_theatre
global theatre |
https://www.w3.org/2000/01/rdf-schema#label |
Post-Soviet theatre
|
gptkbp:includes |
experimental performances
|
gptkbp:influencedBy |
gptkb:Soviet_theatre
|
gptkbp:introduced |
1991
|
gptkbp:is_used_in |
modern technology
multimedia elements traditional elements |
gptkbp:isAssociatedWith |
gptkb:Theatre_of_Nations
gptkb:Moscow_Art_Theatre gptkb:Gogol_Center gptkb:Chekhov_International_Theatre_Festival Siberian_Theatre |
gptkbp:isDocumentedIn |
media coverage
academic studies theatre festivals interviews with artists theatre reviews |
gptkbp:isEngagedIn |
cultural influences
regional styles language use |
gptkbp:isKnownFor |
avant-garde productions
innovative staging socially relevant topics |
gptkbp:isSupportedBy |
government grants
international collaborations private sponsorships |
gptkbp:notableFigures |
gptkb:Andrei_Konchalovsky
gptkb:Lev_Dodin Vladimir_Pankov |
gptkbp:notableWorks |
The Three Sisters adaptation
The_Cherry_Orchard_adaptation The_Idiot_adaptation The_Master_and_Margarita_adaptation The_Seagull_adaptation |