Statements (48)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:character |
introspective
|
| gptkbp:composer |
gptkb:Arnold_Schoenberg
|
| gptkbp:critical_reception |
widely studied
performed in competitions |
| gptkbp:cultural_significance |
important work in modern classical music
|
| gptkbp:dedication |
to the memory of his teacher
|
| gptkbp:duration |
approximately 20 minutes
|
| gptkbp:first_performance |
gptkb:Vienna
|
| gptkbp:form |
solo piano work
|
| gptkbp:genre |
gptkb:classical
|
| gptkbp:has_variations |
gptkb:11
|
| gptkbp:historical_context |
reflects post-World War I sentiments
emerged during the Second Viennese School part of Schoenberg's exploration of atonality |
| https://www.w3.org/2000/01/rdf-schema#label |
Piano Variations, Op. 24
|
| gptkbp:influenced |
avant-garde music
later composers |
| gptkbp:influences |
12-tone technique
|
| gptkbp:inspiration |
personal experiences
|
| gptkbp:key |
B major
|
| gptkbp:legacy |
analyzed in music theory courses
performed in major concert halls worldwide influenced educational approaches to modern piano music considered a milestone in piano repertoire featured in contemporary piano competitions |
| gptkbp:notable_features |
varied textures
use of silence contrasting moods expressive dynamics unexpected harmonic shifts |
| gptkbp:notable_recordings |
performed by Pierre-Laurent Aimard
performed by Alfred Brendel performed by Maurizio Pollini |
| gptkbp:performance |
requires advanced technique
|
| gptkbp:performers |
piano solo
|
| gptkbp:premiere_date |
1924
|
| gptkbp:publisher |
gptkb:Universal_Edition
|
| gptkbp:related_works |
gptkb:Variations_for_Orchestra,_Op._31
|
| gptkbp:structure |
theme and variations
|
| gptkbp:style |
atonal
|
| gptkbp:technique |
dissonance
complex rhythms counterpoint melodic fragmentation |
| gptkbp:year_composed |
1923
|
| gptkbp:bfsParent |
gptkb:Johannes_Brahms
|
| gptkbp:bfsLayer |
5
|