|
gptkbp:instanceOf
|
gptkb:Film_Director
film director
|
|
gptkbp:activeYears
|
1930
1970
1930-1970
|
|
gptkbp:awards
|
gptkb:Cannes_Film_Festival_Best_Director
|
|
gptkbp:birthDate
|
1910-11-20
|
|
gptkbp:born
|
November 20, 1907
|
|
gptkbp:child
|
gptkb:Philippe_Clouzot_Jr.
gptkb:Catherine_Clouzot
|
|
gptkbp:children
|
gptkb:Catherine_Clouzot
|
|
gptkbp:collaboratedWith
|
gptkb:Paul_Meurisse
gptkb:Simone_Signoret
gptkb:Charles_Vanel
|
|
gptkbp:deathDate
|
2001-01-03
|
|
gptkbp:died
|
January 1, 1977
|
|
gptkbp:filmFestival
|
gptkb:Berlin_International_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Venice_Film_Festival
|
|
gptkbp:filmography
|
gptkb:The_Murderer_(1963)
gptkb:The_Man_Who_Knew_Too_Much_(1956)
gptkb:The_Raven_(1963)
Realism
Symbolism
Moral ambiguity
Visual storytelling
Dark themes
Psychological depth
Character-driven narratives
Narrative complexity
The Woman in the Window (1944)
Atmospheric tension
Les Diaboliques (1955)
The Last Train (1964)
The Truth (1960)
The Wages of Fear (1953)
Tension building
L'Assassin est dans l'annuaire
The Devil's Ballad (1969)
The Last Man (1964)
Cinematic_innovation
|
|
gptkbp:genre
|
Drama
Mystery
Thriller
drama
mystery
thriller
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Philippe Clouzot
|
|
gptkbp:influenced
|
gptkb:François_Truffaut
gptkb:Alfred_Hitchcock
gptkb:Jean-Pierre_Melville
|
|
gptkbp:influencedBy
|
gptkb:Henri-Georges_Clouzot
|
|
gptkbp:inspiration
|
Modern filmmakers
|
|
gptkbp:knownFor
|
Complex characters
Psychological thrillers
Suspenseful narratives
|
|
gptkbp:legacy
|
Innovative storytelling techniques
Pioneered film noir elements
Influential_in_French_cinema
|
|
gptkbp:nationality
|
French
|
|
gptkbp:notableWork
|
The Raven
The Wages of Fear
Les Diaboliques
|
|
gptkbp:occupation
|
Producer
Screenwriter
screenwriter
producer
|
|
gptkbp:placeOfBirth
|
gptkb:Saint-Étienne,_France
|
|
gptkbp:placeOfDeath
|
gptkb:Paris,_France
|
|
gptkbp:produces
|
The Truth
|
|
gptkbp:signature
|
Philippe_Clouzot's_signature
|
|
gptkbp:spouse
|
gptkb:Vera_Clouzot
|