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gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:film
gptkb:stage_play
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:character
|
gptkb:Lady_Russell
gptkb:Mary_Musgrove
gptkb:Mr._Darcy
gptkb:Elizabeth_Elliot
Sir Walter Elliot
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gptkbp:critical_reception
|
well-received
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|
gptkbp:cultural_impact
|
influential in literature
adapted into various media
studied in academic settings
|
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gptkbp:genre
|
gptkb:Fiction
romance
Romantic fiction
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Persuasion
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gptkbp:influenced_by
|
gptkb:Romanticism
|
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gptkbp:language
|
English
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|
gptkbp:main_character
|
gptkb:Anne_Elliot
Captain Frederick Wentworth
|
|
gptkbp:narrative_style
|
third-person
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|
gptkbp:notable_quote
|
There is no charm equal to tenderness of heart.
I am half agony, half hope.
It is not what we think we can do.
We are all fools in love.
You pierce my soul.
|
|
gptkbp:page_count
|
around 300
|
|
gptkbp:plot
|
social expectations
family dynamics
Anne's second chance at love
|
|
gptkbp:preceded_by
|
gptkb:Northanger_Abbey
|
|
gptkbp:published_in
|
1817
1818
|
|
gptkbp:publisher
|
gptkb:John_Murray
|
|
gptkbp:setting
|
gptkb:England
Early 19th century England
|
|
gptkbp:succeeded_by
|
gptkb:none
|
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gptkbp:theme
|
gptkb:social_class
love
regret
|
|
gptkbp:written_by
|
gptkb:Jane_Austen
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gptkbp:bfsParent
|
gptkb:Propaganda
gptkb:Batman
gptkb:Han_Solo
gptkb:The_Voice
gptkb:Cyclops
gptkb:Jane_Austen
gptkb:Emma
gptkb:Bene_Gesserit
gptkb:Maximals
gptkb:Zaalbar
gptkb:Paladin
|
|
gptkbp:bfsLayer
|
4
|