Statements (51)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
film series
|
| gptkbp:country |
gptkb:Italy
|
| gptkbp:createdBy |
gptkb:Pier_Paolo_Pasolini
|
| gptkbp:distributes |
20th Century Fox
|
| gptkbp:features |
historical narratives
religious themes sexual themes |
| gptkbp:genre |
drama
|
| gptkbp:hasAwards |
Best_Director_at_Cannes
|
| gptkbp:hasCameo |
gptkb:Pier_Paolo_Pasolini
other actors |
| gptkbp:hasFilm |
gptkb:Tonino_Delli_Colli
experimental techniques use of color use of symbolism symbolic representation vivid imagery use of silence use of light use of dialogue use of space poetic realism use of allegory use of music use of metaphor documentary elements use of time use of sound use of character development use of narrative structure non-linear_storytelling |
| gptkbp:hasTheme |
class struggle
cultural identity moral ambiguity Nino Baragli sexual liberation |
| https://www.w3.org/2000/01/rdf-schema#label |
Pasolini's Trilogy
|
| gptkbp:includes |
gptkb:The_Decameron
The Canterbury Tales Arabian Nights |
| gptkbp:influencedBy |
gptkb:Italian_neorealism
surrealism avant-garde cinema |
| gptkbp:language |
Italian
|
| gptkbp:musicVideo |
gptkb:Ennio_Morricone
|
| gptkbp:notableFor |
social commentary
controversial themes artistic style |
| gptkbp:premieredOn |
gptkb:Cannes_Film_Festival
|
| gptkbp:releasedIn |
the 1970s
|
| gptkbp:screenplayBy |
gptkb:Pier_Paolo_Pasolini
|