|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:aired_on
|
literatura brasileira
|
|
gptkbp:analysis
|
narrativa não linear
construção narrativa
|
|
gptkbp:area
|
não disponível
|
|
gptkbp:art_style
|
symbolic imagery
|
|
gptkbp:artwork
|
arte contemporânea
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:base
|
conto de Monteiro Lobato
|
|
gptkbp:based_on
|
short story by Cornélio Pimentel
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:cast
|
gptkb:Jardel_Filho
Núria Azevedo
|
|
gptkbp:character
|
gptkb:the_Devil
the protagonist
the townsfolk
the innocent
the judge
the antagonist
the victim
the trickster
the wise man
|
|
gptkbp:character_development
|
the protagonist's journey
|
|
gptkbp:cinematography
|
gptkb:Mário_Carneiro
técnicas inovadoras
|
|
gptkbp:color
|
black and white
|
|
gptkbp:composed_of
|
gptkb:1976
|
|
gptkbp:composer
|
gptkb:Joaquim_Pedro_de_Andrade
|
|
gptkbp:country
|
gptkb:Brazil
|
|
gptkbp:court
|
gptkb:Joaquim_Pedro_de_Andrade
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
Brazilian cinema
1970s Brazil
|
|
gptkbp:cultural_practices
|
cinema brasileiro
|
|
gptkbp:cultural_significance
|
Brazilian identity
|
|
gptkbp:director
|
gptkb:Joaquim_Pedro_de_Andrade
|
|
gptkbp:distributor
|
gptkb:Embassy_Pictures
|
|
gptkbp:dlc
|
90 minutos
moralidade
conflito entre o bem e o mal
|
|
gptkbp:doctrine
|
Diabo
|
|
gptkbp:edibility
|
gptkb:Joaquim_Pedro_de_Andrade
|
|
gptkbp:editor
|
gptkb:Joaquim_Pedro_de_Andrade
non-linear
|
|
gptkbp:field_of_study
|
estudos de cinema
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:film_series
|
gptkb:none
|
|
gptkbp:filmography
|
experimental
1976-08-12
|
|
gptkbp:finale_date
|
resolução do conflito
|
|
gptkbp:foot
|
clássico do cinema brasileiro
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:historical_context
|
Brasil dos anos 70
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
O Homem Que Desafiou o Diabo
|
|
gptkbp:impact
|
cinema nacional
reflexão sobre a moral
|
|
gptkbp:influenced
|
subsequent Brazilian films
|
|
gptkbp:influenced_by
|
local legends
European cinema
social issues of the time
Brazilian cinema history
|
|
gptkbp:influences
|
Brazilian folklore
|
|
gptkbp:inspiration
|
gptkb:literary_work
|
|
gptkbp:involved_countries
|
limitada
|
|
gptkbp:is_analyzed_in
|
conflito existencial
|
|
gptkbp:is_criticized_for
|
análise positiva
|
|
gptkbp:language
|
gptkb:language
português
|
|
gptkbp:librettist
|
gptkb:Embassy_Pictures
|
|
gptkbp:literary_devices
|
gptkb:Monteiro_Lobato
|
|
gptkbp:localization
|
gptkb:Brasil
|
|
gptkbp:narrative_style
|
magical realism
|
|
gptkbp:notable_appearance
|
the challenge with the Devil
|
|
gptkbp:notable_wrestlers
|
desafio ao diabo
|
|
gptkbp:open_to_public
|
culto
|
|
gptkbp:p_hpreference
|
gptkb:Brasil
|
|
gptkbp:personality_trait
|
profundidade psicológica
|
|
gptkbp:pests
|
frases memoráveis
|
|
gptkbp:photography
|
gptkb:Mário_Carneiro
|
|
gptkbp:precedes
|
gptkb:Festival_de_Cinema_de_Gramado
|
|
gptkbp:premiere
|
gptkb:São_Paulo_Film_Festival
|
|
gptkbp:previous_name
|
crítica positiva
|
|
gptkbp:principal
|
Joaquim
|
|
gptkbp:production_company
|
gptkb:Cinemateca_Brasileira
|
|
gptkbp:production_years
|
gptkb:1976
|
|
gptkbp:promoter
|
gptkb:High_School
|
|
gptkbp:rating
|
gptkb:Milton_Gonçalves
gptkb:Jardel_Filho
gptkb:Tônia_Carrero
Zé Trindade
|
|
gptkbp:release_format
|
gptkb:DJ
|
|
gptkbp:release_year
|
gptkb:1976
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Joaquim_Pedro_de_Andrade
|
|
gptkbp:setting
|
gptkb:Brazil
|
|
gptkbp:soundtrack
|
gptkb:musical
|
|
gptkbp:studio
|
Cinearte
|
|
gptkbp:symbolism
|
the Devil as temptation
the protagonist as humanity
|
|
gptkbp:themes
|
good vs evil
|
|
gptkbp:trivia
|
gptkb:Jorge_Ben_Jor
|
|
gptkbp:vision
|
surrealismo
|
|
gptkbp:voice_actor
|
gptkb:Artist
|