|
gptkbp:instance_of
|
gptkb:play
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:audience
|
mixed reviews
thought-provoking
|
|
gptkbp:awards
|
Tony Award nomination
|
|
gptkbp:box_office
|
$1.2 million
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:character
|
gptkb:David
gptkb:Megan
gptkb:Police_Department
gptkb:Sophie
|
|
gptkbp:character_arc
|
gptkb:moral_ambiguity
|
|
gptkbp:character_development
|
satirical portrayal
|
|
gptkbp:character_motivation
|
re-election
desperation to win
|
|
gptkbp:character_relationships
|
gptkb:power_struggles
political alliances
arrogance
election challenges
strategic conversations
|
|
gptkbp:character_traits
|
manipulative
|
|
gptkbp:cinematography_by
|
gptkb:Michael_M._O'_Shea
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
political commentary
|
|
gptkbp:critical_reception
|
mixed reviews
polarizing opinions
|
|
gptkbp:cultural_impact
|
reflections on democracy
|
|
gptkbp:cultural_references
|
American politics
|
|
gptkbp:demographics
|
adults
|
|
gptkbp:directed_by
|
gptkb:Gregg_Araki
|
|
gptkbp:distributor
|
gptkb:Lions_Gate_Entertainment
|
|
gptkbp:duration
|
90 minutes
|
|
gptkbp:edited_by
|
gptkb:Gregg_Araki
|
|
gptkbp:explores
|
campaign strategies
|
|
gptkbp:features
|
gptkb:humor
|
|
gptkbp:film_festival
|
gptkb:Chicago_International_Film_Festival
gptkb:Seattle_International_Film_Festival
gptkb:Philadelphia_Film_Festival
gptkb:Toronto_International_Film_Festival_2004
gptkb:AFI_Fest
gptkb:Sundance_Film_Festival
gptkb:New_York_Film_Festival
gptkb:San_Francisco_International_Film_Festival
gptkb:Los_Angeles_Film_Festival
gptkb:Miami_International_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
|
|
gptkbp:first_performance
|
gptkb:Los_Angeles
|
|
gptkbp:focus
|
political ethics
|
|
gptkbp:genre
|
gptkb:satire
gptkb:drama
gptkb:thriller
|
|
gptkbp:has_backstory
|
political career
|
|
gptkbp:historical_context
|
2000s America
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
November
|
|
gptkbp:influenced_artists
|
David Mamet's style
|
|
gptkbp:influenced_by
|
American politics
|
|
gptkbp:influences
|
gptkb:David_Cronenberg
gptkb:Alfred_Hitchcock
gptkb:David_Lynch
|
|
gptkbp:inspired_by
|
real-life events
|
|
gptkbp:is_criticized_for
|
political bias
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
confrontational
sharp wit
|
|
gptkbp:main_character
|
gptkb:Charles_Smith
|
|
gptkbp:music_by
|
gptkb:Kurt_Kuenne
|
|
gptkbp:music_style
|
minimalist set
|
|
gptkbp:narrative
|
non-linear
|
|
gptkbp:notable_quote
|
" I’m not a politician, I’m a businessman."
|
|
gptkbp:number_of_acts
|
2
|
|
gptkbp:performance
|
gptkb:theater
|
|
gptkbp:performance_style
|
dramatic monologues
|
|
gptkbp:performed_at
|
gptkb:Geffen_Playhouse
|
|
gptkbp:plot
|
A woman struggles to cope with the aftermath of a traumatic event.
|
|
gptkbp:plot_summary
|
gptkb:campaign
|
|
gptkbp:premiered_on
|
gptkb:2007
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Gregg_Araki
|
|
gptkbp:production_years
|
multiple productions
|
|
gptkbp:publication_year
|
gptkb:2008
|
|
gptkbp:published_by
|
gptkb:Grove_Press
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
September 10, 2004
|
|
gptkbp:released_in
|
gptkb:2004
|
|
gptkbp:role
|
incumbent president
|
|
gptkbp:runtime
|
85 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Gregg_Araki
|
|
gptkbp:setting
|
gptkb:United_States
|
|
gptkbp:starring
|
gptkb:Nadia_Dajani
gptkb:Courteney_Cox
gptkb:James_Le_Gros
gptkb:Michael_Ealy
|
|
gptkbp:style
|
absurdist comedy
|
|
gptkbp:symbolism
|
gptkb:American_Dream
|
|
gptkbp:thematic_element
|
gptkb:corruption
|
|
gptkbp:theme
|
gptkb:politics
|
|
gptkbp:themes
|
gptkb:loss
gptkb:identity
trauma
grief
|
|
gptkbp:written_by
|
gptkb:David_Mamet
|
|
gptkbp:bfsParent
|
gptkb:President_of_the_United_States
gptkb:David_Mamet
|
|
gptkbp:bfsLayer
|
3
|