Statements (100)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:film_adaptation
gptkb:radio_station |
| gptkbp:adaptations |
gptkb:film_adaptation
gptkb:radio_station |
| gptkbp:adapted_into |
gptkb:opera
musicals stage productions |
| gptkbp:author |
gptkb:Jean-Paul_Sartre
|
| gptkbp:character_development |
complex characters
|
| gptkbp:character_relationships |
gptkb:psychological_manipulation
identity and self-perception love and jealousy |
| gptkbp:conflict |
psychological conflict
|
| gptkbp:critical_reception |
widely acclaimed
|
| gptkbp:cultural_impact |
influenced film
influenced literature influenced theater discussed in philosophy courses |
| gptkbp:cultural_references |
inspired artworks
inspired podcasts inspired video games referenced in popular culture analyzed in literary studies inspired graphic novels inspired music compositions inspired television adaptations inspired dance performances discussed in philosophy courses inspired academic papers inspired debates in ethics classes inspired discussions in philosophy forums |
| gptkbp:first_performance |
gptkb:1944
|
| gptkbp:genre |
Existentialist drama
|
| https://www.w3.org/2000/01/rdf-schema#label |
No Exit
|
| gptkbp:influence |
Existentialism
Existential philosophy |
| gptkbp:influenced |
gptkb:theater_of_the_absurd
|
| gptkbp:inspiration |
Sartre's philosophy
|
| gptkbp:inspired_by |
Sartre's philosophy
|
| gptkbp:language |
gptkb:French
|
| gptkbp:main_character |
Estelle
Garcin Inès |
| gptkbp:notable_performances |
gptkb:Broadway
international tours West End revival |
| gptkbp:notable_quote |
L'enfer, c'est les autres.
|
| gptkbp:notable_themes |
freedom and responsibility
the nature of existence the nature of love the nature of reality the nature of truth the search for meaning the struggle for power the impact of memory the role of fate the concept of time the search for redemption the nature of consciousness the concept of alienation the concept of bad faith the concept of the gaze the conflict between desire and reality the conflict between individual and society the consequences of choices the idea of eternal recurrence the idea of the self as a construct the illusion of self the impact of choice on existence the impact of existential dread the impact of others on self-identity the impact of societal norms the nature of relationships the role of guilt the role of language in identity the search for connection the struggle for authenticity the struggle for understanding |
| gptkbp:performance |
approximately 90 minutes
|
| gptkbp:performance_style |
minimalist
|
| gptkbp:premiere_location |
gptkb:Theatre_du_Vieux-Colombier
gptkb:Théâtre_de_la_Porte_Saint-Martin |
| gptkbp:published_in |
gptkb:Les_Temps_Modernes
|
| gptkbp:setting |
a room in hell
|
| gptkbp:structure |
three acts
|
| gptkbp:symbolism |
the absence of escape
the mirrors as self-reflection the room as a metaphor for hell the locked room |
| gptkbp:theme |
Hell is other people
|
| gptkbp:themes |
gptkb:identity
existential dread self-deception freedom and choice |
| gptkbp:translated_into |
English
|
| gptkbp:bfsParent |
gptkb:Jean-Paul_Sartre
gptkb:The_Angels gptkb:Debbie_Harry |
| gptkbp:bfsLayer |
4
|