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gptkbp:instance_of
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gptkb:symphony
|
|
gptkbp:composed_by
|
gptkb:Carl_Nielsen
|
|
gptkbp:cultural_significance
|
20th-century classical music
Danish national identity
|
|
gptkbp:has_soundtrack
|
gptkb:Symphony_No._1
gptkb:Symphony_No._2
gptkb:Symphony_No._3
gptkb:Symphony_No._4
gptkb:Symphony_No._5
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|
https://www.w3.org/2000/01/rdf-schema#label
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Nielsen symphonies
|
|
gptkbp:influences
|
gptkb:Modernism
Romantic music
|
|
gptkbp:instruments
|
gptkb:piano
gptkb:Brass
Percussion
Strings
Woodwinds
|
|
gptkbp:key_signature_of_fifth_symphony
|
F major
|
|
gptkbp:key_signature_of_first_symphony
|
E minor
|
|
gptkbp:key_signature_of_fourth_symphony
|
E major
|
|
gptkbp:key_signature_of_second_symphony
|
B minor
|
|
gptkbp:key_signature_of_sixth_symphony
|
A minor
|
|
gptkbp:key_signature_of_third_symphony
|
C major
|
|
gptkbp:legacy
|
Continued performances worldwide
Influence on Scandinavian composers
|
|
gptkbp:music_composer
|
gptkb:6
|
|
gptkbp:notable_conductors
|
gptkb:Thomas_Dausgaard
gptkb:Michael_Schønwandt
gptkb:Herbert_Blomstedt
|
|
gptkbp:notable_themes
|
gptkb:Nature
gptkb:conflict
Human experience
|
|
gptkbp:notable_traits
|
Dramatic contrasts
Innovative orchestration
Nationalistic elements
|
|
gptkbp:performed_by
|
gptkb:Royal_Danish_Orchestra
gptkb:Chicago_Symphony_Orchestra
gptkb:London_Symphony_Orchestra
|
|
gptkbp:premiere_date_of_fifth_symphony
|
gptkb:1922
|
|
gptkbp:premiere_date_of_first_symphony
|
gptkb:1920
|
|
gptkbp:premiere_date_of_fourth_symphony
|
1916
|
|
gptkbp:premiere_date_of_second_symphony
|
1924
|
|
gptkbp:premiere_date_of_sixth_symphony
|
1925
|
|
gptkbp:premiere_date_of_third_symphony
|
1911
|
|
gptkbp:recorded_by
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gptkb:Deutsche_Grammophon
gptkb:Naxos_Records
gptkb:Chandos_Records
|
|
gptkbp:sixth_symphony
|
gptkb:Symphony_No._6
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|
gptkbp:style
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Late Romantic
Early Modern
|
|
gptkbp:bfsParent
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gptkb:Osmo_Vänskä
|
|
gptkbp:bfsLayer
|
5
|