Statements (65)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
art exhibition
|
| gptkbp:associated_with |
gptkb:Russian_avant-garde
|
| gptkbp:attendance |
thousands of visitors
|
| gptkbp:criticism |
generally positive
|
| gptkbp:cultural_significance |
promoted_Russian_culture
|
| gptkbp:duration |
several months
|
| gptkbp:exhibits |
gptkb:Moscow_Manege
|
| gptkbp:focus |
contemporary_Russian_artists
|
| gptkbp:historicalContext |
part_of_the_Russian_art_movement
|
| https://www.w3.org/2000/01/rdf-schema#label |
Moscow Art Exhibition 1892
|
| gptkbp:impact |
influenced future exhibitions
|
| gptkbp:influenced |
Soviet_art_exhibitions
|
| gptkbp:is_organized_by |
gptkb:Moscow_Society_of_Artists
|
| gptkbp:legacy |
paved the way for future art movements
|
| gptkbp:location |
gptkb:Moscow
|
| gptkbp:notable_artist |
gptkb:The_Invasion_of_the_Tatars
gptkb:The_Mosaic gptkb:The_Peasant_Woman gptkb:The_Girl_with_Peaches gptkb:The_Volga_Boatmen The Harvest The Duel The Last Day of Pompeii The Haymaking The Cossacks The Landscape The Still Life The Portrait of a Man The Portrait of a Woman The Winter Landscape The Sculpture The Architecture over 500 pieces The Battle of the Ice The Cityscape The Rooks Have Come Back The Siege of Pskov The Photography The Ceramics The Textile Art The Historical Scene The Religious Scene The Metalwork The Woodwork The Genre Scene The Mythological Scene The Decorative Art The Graphic Art The Allegorical Scene The Applied Art The Enamelwork The Glasswork The Jewelry The_Morning_of_Our_Motherland The_Printmaking |
| gptkbp:notable_member |
gptkb:Ilya_Repin
gptkb:Mikhail_Nesterov gptkb:Vasily_Surikov gptkb:Ivan_Shishkin |
| gptkbp:significance |
showcased_Russian_art
|
| gptkbp:style |
Impressionism
Realism Symbolism |
| gptkbp:type |
national exhibition
|
| gptkbp:year |
1892
|