Modern Art Week in São Paulo
GPTKB entity
Statements (55)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:music_festival
|
gptkbp:bfsLayer |
4
|
gptkbp:bfsParent |
gptkb:Tarsila_do_Amaral
|
gptkbp:associated_with |
São Paulo cultural scene
|
gptkbp:celebrates |
Brazilian modernism
in artistic expression |
gptkbp:communication |
between artists and critics
between different art forms |
gptkbp:cultural_impact |
promoted modernist ideas
|
gptkbp:debut_year |
gptkb:1922
|
gptkbp:duration |
one week
|
gptkbp:encouraged |
artistic collaborations
artistic experimentation avant-garde movements |
gptkbp:exhibition |
Exhibition of Modern Art
|
gptkbp:first_held |
gptkb:1922
|
gptkbp:founder |
gptkb:Mário_de_Andrade
|
gptkbp:highlights |
Brazilian cultural identity
|
https://www.w3.org/2000/01/rdf-schema#label |
Modern Art Week in São Paulo
|
gptkbp:influenced |
Brazilian art scene
art education in Brazil |
gptkbp:inspired |
gptkb:Museum_of_Modern_Art_of_São_Paulo
gptkb:São_Paulo_Art_Biennial |
gptkbp:is_featured_in |
gptkb:theatre
local artists dance performances international artists musical performances A Batalha dos Guararapes by Victor Brecheret Abaporu by Tarsila do Amaral O Homem do Povo by Anita Malfatti O Rei da Vela by Oswald de Andrade |
gptkbp:is_influenced_by |
gptkb:church
gptkb:Neo-concretism gptkb:Tropicália Concrete art |
gptkbp:is_involved_in |
gptkb:musician
gptkb:fictional_character theater artists |
gptkbp:is_promoted_by |
gptkb:cultural_exchange
artistic innovation |
gptkbp:is_recognized_by |
cultural milestone
Brazilian government |
gptkbp:led_to |
development of art criticism
establishment of art institutions growth of art galleries increased art patronage |
gptkbp:legacy |
inspired future generations of artists
|
gptkbp:location |
gptkb:São_Paulo
|
gptkbp:notable_artists |
gptkb:Oswald_de_Andrade
gptkb:Tarsila_do_Amaral gptkb:Anita_Malfatti Victor Brecheret |
gptkbp:occasion |
100th anniversary in 2022
|
gptkbp:significance |
pivotal moment in Brazilian modernism
|