gptkbp:instance_of
|
gptkb:musical
|
gptkbp:advertising
|
social media campaigns
|
gptkbp:audience
|
interactive elements
theatergoers
|
gptkbp:based_on
|
Missile Command (video game)
|
gptkbp:character
|
gptkb:government_officials
gptkb:civilians
gptkb:Missile_Commander
City Dwellers
Nuclear Threat
|
gptkbp:choreography
|
Rachael Lawrence
|
gptkbp:collaborator
|
local artists
|
gptkbp:composer
|
Rachael Lawrence
|
gptkbp:costume_design
|
thematic
|
gptkbp:critical_reception
|
positive
|
gptkbp:design
|
minimalist
|
gptkbp:director
|
small
Rachael Lawrence
|
gptkbp:funding
|
crowdfunding
|
gptkbp:future_plans
|
revival productions
|
gptkbp:genre
|
gptkb:comedy
|
gptkbp:influence
|
future musicals
|
gptkbp:influenced_by
|
musical theater traditions
|
gptkbp:influences
|
video game culture
|
gptkbp:inspiration
|
Cold War tensions
|
gptkbp:inspired_by
|
gptkb:Arcade
|
gptkbp:involvement
|
community theater groups
|
gptkbp:language
|
English
|
gptkbp:lighting
|
dynamic
|
gptkbp:location
|
gptkb:New_York_City
|
gptkbp:lyricist
|
Rachael Lawrence
|
gptkbp:merchandise
|
themed items
|
gptkbp:message
|
the futility of war
|
gptkbp:notable_song
|
' The End of the World'
' Defend the City'
' Missile Command'
|
gptkbp:number_of_stages
|
professional
|
gptkbp:original_run
|
2015-2016
|
gptkbp:performance
|
approximately 90 minutes
|
gptkbp:premiered_on
|
gptkb:2015
|
gptkbp:produced_by
|
gptkb:The_New_York_Musical_Theatre_Festival
|
gptkbp:production_company
|
gptkb:Rachael_Lawrence_Productions
|
gptkbp:reviews
|
theater critics
|
gptkbp:setting
|
Cold War era
|
gptkbp:sound_design
|
gptkb:electronic
|
gptkbp:style
|
satirical
absurdist
|
gptkbp:themes
|
nuclear war
|
gptkbp:bfsParent
|
gptkb:Missile_Command
|
gptkbp:bfsLayer
|
5
|