gptkbp:instanceOf
|
Person
|
gptkbp:activeYears
|
1925
1986
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gptkbp:associatedWith
|
gptkb:Emeric_Pressburger
Michael_Powell_and_Emeric_Pressburger
|
gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Honorary_Academy_Award
|
gptkbp:birthDate
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1905-10-29
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gptkbp:collaboratedWith
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gptkb:David_Niven
gptkb:Roger_Livesey
gptkb:Deborah_Kerr
Moira Shearer
|
gptkbp:deathDate
|
1990-02-19
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gptkbp:education
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gptkb:London_Film_School
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gptkbp:filmography
|
The Last Chance
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gptkbp:genre
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Drama
Fantasy
Horror
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https://www.w3.org/2000/01/rdf-schema#label
|
Michael Anthony Powell
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gptkbp:influenced
|
gptkb:David_Lean
Martin Scorsese
|
gptkbp:influencedBy
|
gptkb:D.W._Griffith
gptkb:Alfred_Hitchcock
|
gptkbp:legacy
|
Cult following for his films
Influenced modern filmmakers
Restored and celebrated in film festivals
|
gptkbp:nationality
|
British
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gptkbp:notableWork
|
gptkb:Peeping_Tom
The Red Shoes
A Matter of Life and Death
Black Narcissus
|
gptkbp:occupation
|
Film director
|
gptkbp:personalLife
|
Married three times
Had one daughter
Lived_in_the_United_States_for_part_of_his_life
Returned_to_England_later_in_life
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gptkbp:placeOfBirth
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gptkb:Kent,_England
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gptkbp:placeOfDeath
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Westminster,_London,_England
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gptkbp:posthumousRecognition
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gptkb:AFI's_100_Years...100_Movies
British_Film_Institute's_Top_100_British_Films
Sight_&_Sound's_Greatest_Films_of_All_Time
|
gptkbp:produces
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Age of Consent
|
gptkbp:signature
|
Complex narratives
Visual storytelling
Innovative camera techniques
Use of color
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gptkbp:spouse
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gptkb:Thelma_Schoonmaker
|