Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:associated_with |
gptkb:church
gptkb:Nature |
| gptkbp:characteristics |
Complex rhythms
Colorful harmonies Use of modes of limited transposition Birdsong imitation |
| gptkbp:composer |
gptkb:Olivier_Messiaen
|
| gptkbp:dedicated_to |
gptkb:Yvonne_Loriod
|
| gptkbp:first_performance |
gptkb:1944
|
| gptkbp:genre |
Classical
|
| gptkbp:influenced |
gptkb:orchestra
Film music Contemporary classical music |
| gptkbp:influenced_by |
French music
Religious themes |
| gptkbp:inspired |
Piano competitions
New music movements |
| gptkbp:instrumentation |
gptkb:musician
|
| gptkbp:is_recognized_by |
Music critics
Music scholars |
| gptkbp:notable_feature |
Cultural significance
Emotional depth Historical context Philosophical themes Innovative use of harmony Innovative structures Use of motifs Spiritual themes Influence on later composers Technical challenges Use of silence Exploration of time Integration of different styles Use of color in music Legacy in music history Cinematic qualities Polychromatic textures |
| gptkbp:notable_work |
gptkb:La_Transfiguration_de_Notre_Seigneur_Jésus-Christ
gptkb:Vingt_Regards_sur_l'_Enfant-Jésus gptkb:Trois_petites_liturgies_de_la_Présence_divine |
| gptkbp:part_of |
Academic studies
Piano repertoire |
| gptkbp:performed_by |
Concert halls
Music festivals Pianists worldwide |
| gptkbp:published_by |
gptkb:Alphonse_Leduc
|
| gptkbp:recorded_by |
gptkb:Various_artists
|
| gptkbp:style |
Modern classical
|
| gptkbp:bfsParent |
gptkb:András_Schiff
gptkb:Igor_Levit |
| gptkbp:bfsLayer |
4
|