|
gptkbp:instance_of
|
gptkb:painting
gptkb:museum
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:mythological_figure
|
|
gptkbp:art_movement
|
British art
|
|
gptkbp:art_style
|
narrative storytelling
narrative art
|
|
gptkbp:artist
|
gptkb:William_Hogarth
|
|
gptkbp:artistic_influence
|
subsequent artists
|
|
gptkbp:artistic_legacy
|
influence on modern art
|
|
gptkbp:artwork
|
gptkb:The_Lady's_Death
gptkb:The_Tête_à_Tête
gptkb:The_Marriage_Settlement
The Inspection
The Bagnio
The Toilette
|
|
gptkbp:characteristics
|
social commentary
|
|
gptkbp:conflict
|
marriage vs. personal desire
|
|
gptkbp:created_by
|
gptkb:William_Hogarth
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_significance
|
critique of 18th-century marriage
|
|
gptkbp:depicts
|
marriage and social issues
|
|
gptkbp:dimensions
|
69.9 cm × 89.5 cm
|
|
gptkbp:exhibition
|
various art galleries
|
|
gptkbp:exhibits
|
satire of aristocracy
|
|
gptkbp:historical_context
|
18th-century England
|
|
gptkbp:historical_significance
|
pioneering satirical series
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Marriage à-la-mode
|
|
gptkbp:influenced_artists
|
satirical literature
satirical painters
|
|
gptkbp:influenced_by
|
satirical art
|
|
gptkbp:inspired_by
|
real-life events
|
|
gptkbp:is_criticized_for
|
widely studied
|
|
gptkbp:is_popular_in
|
gptkb:18th_century
|
|
gptkbp:legacy
|
impact on visual storytelling
|
|
gptkbp:location
|
gptkb:National_Gallery,_London
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:notable_features
|
satirical depiction of marriage
|
|
gptkbp:notable_performance
|
gptkb:6
|
|
gptkbp:notable_work
|
gptkb:William_Hogarth
|
|
gptkbp:related_to
|
Hogarth's other works
|
|
gptkbp:series
|
Marriage à-la-mode series
|
|
gptkbp:style
|
gptkb:Rococo
|
|
gptkbp:subject
|
marriage and social commentary
|
|
gptkbp:symbolism
|
wealth and social status
|
|
gptkbp:themes
|
class and morality
|
|
gptkbp:year_created
|
1743
|