Lute Suite No. 4 in E minor, BWV 1006a
GPTKB entity
Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:arrangements |
for orchestra
for piano for guitar |
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:cultural_significance |
important work in lute repertoire
|
| gptkbp:duration |
approximately 15 minutes
|
| gptkbp:first_published |
gptkb:19th_century
|
| gptkbp:genre |
Baroque music
|
| gptkbp:historical_context |
composed during Bach's time in Köthen
|
| https://www.w3.org/2000/01/rdf-schema#label |
Lute Suite No. 4 in E minor, BWV 1006a
|
| gptkbp:influence |
classical guitar repertoire
|
| gptkbp:instrument |
gptkb:Luge
|
| gptkbp:key |
E minor
|
| gptkbp:movement |
Prelude
Allemande Courante Gigue Menuets I and II Sarabande |
| gptkbp:notable_feature |
dance forms
use of ornamentation contrapuntal texture |
| gptkbp:notable_recordings |
gptkb:Andreas_Scholl
gptkb:Julian_Bream gptkb:Hopkinson_Smith |
| gptkbp:notable_work |
Contrast between movements
Emotional expression in the sarabande Harmonic language of the suite Interpretation of the menuets Performance challenges for lute players Rhythmic complexity in the courante Scholarly analysis of its structure Thematic development in the prelude Use of counterpoint in the gigue |
| gptkbp:opus_number |
1006a
|
| gptkbp:performance |
historically informed performance
solo lute |
| gptkbp:related_works |
Lute Suite No. 1 in E major, BWV 996
Lute Suite No. 2 in A minor, BWV 997 Lute Suite No. 3 in C minor, BWV 998 Lute Suite No. 5 in G major, BWV 1007 Lute Suite No. 6 in E major, BWV 1008 |
| gptkbp:signature |
one sharp
|
| gptkbp:style |
Baroque dance suite
|
| gptkbp:time_signature |
3/4
4/4 |
| gptkbp:year_composed |
c. 1710
|
| gptkbp:bfsParent |
gptkb:Bach:_Lute_Music
|
| gptkbp:bfsLayer |
9
|