Statements (55)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
art series
|
| gptkbp:associated_with |
Constructivism
|
| gptkbp:characteristics |
historical significance
geometric abstraction color theory social commentary experimental techniques asymmetry color contrast layering movement artistic dialogue artistic experimentation artistic legacy artistic innovation conceptual art cultural commentary geometric forms dynamic composition political expression light and shadow abstract representation non-representational art spatial illusion visual rhythm avant-garde aesthetics visual exploration cultural_exchange |
| gptkbp:createdBy |
gptkb:El_Lissitzky
|
| gptkbp:exemplifies |
modern art
|
| gptkbp:exhibits |
gptkb:Stedelijk_Museum
gptkb:Centre_Pompidou gptkb:The_Russian_Avant-Garde gptkb:Museum_of_Modern_Art Tate Modern |
| https://www.w3.org/2000/01/rdf-schema#label |
Lissitzky's Proun series
|
| gptkbp:influenced |
gptkb:Kazimir_Malevich
graphic design visual communication furniture design industrial design typography |
| gptkbp:inspiration |
architecture
|
| gptkbp:is_part_of |
gptkb:Russian_avant-garde
|
| gptkbp:medium |
paint
|
| gptkbp:movement |
Suprematism
|
| gptkbp:notableWork |
Proun 1D
Proun 2D Proun 3D Proun 4D |
| gptkbp:related_to |
Proun
|
| gptkbp:significance |
exploration of spatial relationships
|
| gptkbp:style |
abstract
|
| gptkbp:technique |
collage
|
| gptkbp:year |
1920s
|