|
gptkbp:instance_of
|
gptkb:musical_composition
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Edith_Piaf
gptkb:Édith_Piaf
|
|
gptkbp:associated_with
|
gptkb:Jacques_Prévert
|
|
gptkbp:awards
|
gptkb:Cannes_Film_Festival_Award
|
|
gptkbp:based_on
|
novel by Violette Leduc
|
|
gptkbp:box_office
|
gptkb:unknown
$1.5 million
|
|
gptkbp:character
|
gptkb:Catherine
gptkb:Gérard
gptkb:Madame_de_Montparnasse
Monsieur de Montparnasse
|
|
gptkbp:cinematography
|
gptkb:Henri_Decaë
gptkb:Charles_Lang
|
|
gptkbp:color
|
black and white
|
|
gptkbp:composer
|
gptkb:Joseph_Kosma
|
|
gptkbp:country
|
gptkb:Monarch
gptkb:United_States
|
|
gptkbp:critical_reception
|
positive
mixed reviews
|
|
gptkbp:cultural_impact
|
inspired other films
|
|
gptkbp:directed_by
|
gptkb:Vincente_Minnelli
|
|
gptkbp:director
|
gptkb:Louis_Malle
gptkb:Jacques_Becker
|
|
gptkbp:distributor
|
gptkb:CIC
|
|
gptkbp:duration
|
approximately 3 minutes
|
|
gptkbp:edited_by
|
Warren Low
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Berlin_International_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
gptkb:Cannes_Film_Festival_1958
|
|
gptkbp:film_series
|
gptkb:CEO
|
|
gptkbp:filming_location
|
gptkb:Saint-Germain-des-Prés
gptkb:Île_de_la_Cité
gptkb:Montmartre
gptkb:Louvre_Museum
gptkb:Champs-Élysées
|
|
gptkbp:filmography
|
Yvonne Martin
Marcel Moussy
|
|
gptkbp:follows
|
gptkb:The_Bad_and_the_Beautiful
|
|
gptkbp:genre
|
gptkb:High_School
orchestral
romance
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Les Amants de Paris
|
|
gptkbp:influenced
|
subsequent romantic films
|
|
gptkbp:influenced_by
|
gptkb:orchestra
gptkb:Italian_Neorealism
French cinema
|
|
gptkbp:influences
|
gptkb:existentialism
gptkb:French_New_Wave
|
|
gptkbp:inspiration
|
inspired by real events
|
|
gptkbp:language
|
gptkb:French
English
|
|
gptkbp:music_by
|
gptkb:George_Duning
|
|
gptkbp:notable_appearance
|
the final confrontation
the argument in the apartment
the farewell at the train station
the meeting in the café
the walk along the Seine
|
|
gptkbp:notable_for
|
gptkb:film
|
|
gptkbp:performed_by
|
gptkb:orchestra
|
|
gptkbp:precedes
|
gptkb:The_Band_Wagon
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Columbia_Pictures
|
|
gptkbp:production_company
|
gptkb:Les_Films_de_la_Pléiade
|
|
gptkbp:release_date
|
April 1952
|
|
gptkbp:release_year
|
gptkb:1958
1950
|
|
gptkbp:released_in
|
gptkb:1952
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:runtime
|
100 minutes
102 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Charles_Schnee
gptkb:Jacques_Becker
|
|
gptkbp:set_in
|
gptkb:Paris
|
|
gptkbp:setting
|
gptkb:Paris
|
|
gptkbp:soundtrack
|
gptkb:musical
|
|
gptkbp:starring
|
gptkb:Kirk_Douglas
gptkb:Jean-Paul_Belmondo
gptkb:Paul_Lukas
gptkb:Jean_Simmons
gptkb:Jean-Pierre_Léaud
gptkb:Brigitte_Bardot
|
|
gptkbp:theme
|
love
|
|
gptkbp:viewership
|
cult following
|