|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:aspect_ratio
|
1.66:1
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character
|
the police
the mentor
the hitman
the target
|
|
gptkbp:cinematography_by
|
gptkb:Henri_Decaë
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:France
|
|
gptkbp:country_of_origin
|
gptkb:France
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
cult following
influenced later films
reference in other media
|
|
gptkbp:directed_by
|
gptkb:Jean-Pierre_Melville
|
|
gptkbp:distributor
|
gptkb:CIC
|
|
gptkbp:edited_by
|
Yvonne Martin
|
|
gptkbp:film_editing
|
Yvonne Martin
|
|
gptkbp:filming_location
|
gptkb:France
gptkb:Paris
|
|
gptkbp:genre
|
gptkb:crime
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Le Chasseur
|
|
gptkbp:influenced_by
|
gptkb:American_cinema
gptkb:French_New_Wave
|
|
gptkbp:influences
|
film noir
|
|
gptkbp:inspired_by
|
gptkb:The_Hunter
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:music_by
|
gptkb:Eric_Demarsan
|
|
gptkbp:notable_awards
|
Cannes Film Festival nomination
|
|
gptkbp:notable_scene
|
the final confrontation
the chase scene
the opening sequence
the ending
the dialogue scenes
|
|
gptkbp:plot
|
A hitman is forced to confront his past.
|
|
gptkbp:produced_by
|
Gérard Bréaud
|
|
gptkbp:production_company
|
gptkb:Les_Films_du_Carrosse
|
|
gptkbp:release_date
|
1964-10-14
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1964
|
|
gptkbp:remake
|
gptkb:The_Hunter_(2010)
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jean-Pierre_Melville
|
|
gptkbp:setting
|
gptkb:Paris
1960s
|
|
gptkbp:starring
|
gptkb:Alain_Delon
gptkb:Jean-Pierre_Melville
gptkb:François_Périer
|
|
gptkbp:themes
|
gptkb:betrayal
loneliness
morality
redemption
violence
|
|
gptkbp:bfsParent
|
gptkb:Les_Visiteurs_2_-Les_Couloirs_du_temps
|
|
gptkbp:bfsLayer
|
6
|