Statements (48)
Predicate | Object |
---|---|
gptkbp:instanceOf |
Person
|
gptkbp:alias |
Perdita
|
gptkbp:artMovement |
Romanticism
|
gptkbp:associatedWith |
Romanticism
|
gptkbp:birthPlace |
gptkb:Bristol,_England
|
gptkbp:born |
1758
|
gptkbp:child |
gptkb:Mary_Robinson
|
gptkbp:contributedTo |
Feminist literature
|
gptkbp:deathPlace |
gptkb:London,_England
|
gptkbp:died |
1800
|
gptkbp:education |
gptkb:Queen's_College,_London
|
gptkbp:famousFor |
Literary salons
|
gptkbp:genre |
Romantic poetry
|
https://www.w3.org/2000/01/rdf-schema#label |
Lady Mary Anne Robinson
|
gptkbp:influenced |
gptkb:John_Keats
|
gptkbp:influencedBy |
gptkb:William_Wordsworth
|
gptkbp:knownFor |
Advocacy for women's rights
|
gptkbp:language |
English
|
gptkbp:nationality |
British
|
gptkbp:notableFeature |
gptkb:Mary_Shelley
gptkb:The_Farewell The Widow The Dream The Last Song The Last Wish The Captive The Last Dream The Soldier's Farewell The Last Farewell The Soldier's Return The Man of the World The Old Woman's Tale The Dream of the Old Woman The Farewell to the World The Last Farewell to the Poet The Last Farewell to the World The_Poet's_Dream The_Poet's_Return The_Dying_Child The_Haunted_Beach London's_Summer_Morning The_Poet's_Lament The_Farewell_to_the_Muse The_Last_Farewell_to_the_Muse |
gptkbp:notableWork |
gptkb:The_Poetical_Works_of_Mary_Robinson
|
gptkbp:occupation |
gptkb:Poet
|
gptkbp:productionCompany |
Late 18th century
|
gptkbp:spouse |
gptkb:George_Robinson,_2nd_Baron_Rokeby
|