|
gptkbp:instance_of
|
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
|
|
gptkbp:adapted_into
|
gptkb:radio_station
novel by Henri Barbusse
|
|
gptkbp:art_style
|
notable
high contrast
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:author
|
gptkb:Henri_Barbusse
|
|
gptkbp:availability
|
gptkb:DVD
streaming
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
gptkb:novel
a play by Henri-Georges Clouzot
|
|
gptkbp:box_office
|
gptkb:unknown
$1.5 million
|
|
gptkbp:character
|
the protagonist
the antagonist
|
|
gptkbp:character_development
|
gptkb:complex
complex characters
|
|
gptkbp:character_relationships
|
explores human connections
analyzes betrayal
depicts conflict
examines love
|
|
gptkbp:cinematography
|
gptkb:Armand_Thirard
gptkb:Thierry_Arbogast
|
|
gptkbp:color
|
gptkb:Color
black and white
|
|
gptkbp:costume_design
|
notable
|
|
gptkbp:country
|
gptkb:France
|
|
gptkbp:critical_reception
|
mixed
mixed reviews
|
|
gptkbp:criticism
|
mixed reviews
|
|
gptkbp:cult_status
|
gptkb:true
|
|
gptkbp:cultural_impact
|
gptkb:significant
inspired discussions on morality
influenced later playwrights
studied in film schools
influenced filmmakers
|
|
gptkbp:director
|
gptkb:François_Ozon
gptkb:Henri-Georges_Clouzot
|
|
gptkbp:distributor
|
gptkb:CIC
Mars Distribution
|
|
gptkbp:editing
|
gptkb:Henri_Colpi
Antoine Vareille
|
|
gptkbp:film_awards
|
gptkb:none
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival_2005
gptkb:San_Sebastián_International_Film_Festival
gptkb:Cannes_Film_Festival_1964
gptkb:London_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
Cannes 1964
|
|
gptkbp:film_score
|
notable
|
|
gptkbp:film_series
|
gptkb:N/_A
|
|
gptkbp:film_technique
|
expressionism
|
|
gptkbp:filming_location
|
gptkb:France
|
|
gptkbp:filmography
|
extensive
|
|
gptkbp:focus
|
female protagonist
male protagonist
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_been_restored
|
gptkb:2010
|
|
gptkbp:historical_context
|
reflects post-war sentiments
addresses societal issues
influenced by World War I
written during early 20th century
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
L' Enfer
|
|
gptkbp:influence
|
Existentialism
|
|
gptkbp:influenced
|
subsequent films
|
|
gptkbp:influenced_by
|
gptkb:Symbolism
gptkb:German_Expressionism
Naturalism
psychological horror
surrealism
|
|
gptkbp:influences
|
gptkb:François_Truffaut
gptkb:Luis_Buñuel
gptkb:Bertolucci
gptkb:Roman_Polanski
gptkb:Jean-Luc_Godard
gptkb:Alfred_Hitchcock
gptkb:David_Lynch
gptkb:Ingmar_Bergman
gptkb:Fritz_Lang
gptkb:Henri-Georges_Clouzot
|
|
gptkbp:inspiration
|
personal experiences
Clouzot's own experiences
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:language_spoken
|
minimalistic
|
|
gptkbp:legacy
|
influential film
|
|
gptkbp:music_by
|
gptkb:Philippe_Rombi
gptkb:Giorgio_Moroder
|
|
gptkbp:narrative
|
non-linear
|
|
gptkbp:notable_character
|
gptkb:The_Narrator
|
|
gptkbp:notable_for
|
its psychological themes
|
|
gptkbp:notable_games
|
gptkb:Henri_Barbusse
|
|
gptkbp:notable_production
|
international performances
revivals in the 20th century
|
|
gptkbp:notable_quote
|
examines the human condition
reflects on human nature
explores the nature of existence
questions reality
|
|
gptkbp:notable_scene
|
psychological tension
dream sequences
visual symbolism
|
|
gptkbp:notable_themes
|
isolation
redemption
guilt
despair
|
|
gptkbp:number_of_acts
|
gptkb:3
|
|
gptkbp:original_language
|
gptkb:French
|
|
gptkbp:performance
|
performed in various theaters
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:premiere_date
|
1911
|
|
gptkbp:premiere_location
|
gptkb:Théâtre_de_l'Œuvre
|
|
gptkbp:produced_by
|
gptkb:Nicolas_Altmayer
gptkb:Georges_de_Beauregard
Eric Altmayer
|
|
gptkbp:production_company
|
gptkb:Les_Films_Corona
|
|
gptkbp:published_by
|
gptkb:Éditions_de_la_Nouvelle_Revue_Française
|
|
gptkbp:published_in
|
gptkb:1917
|
|
gptkbp:release_date
|
gptkb:1964
|
|
gptkbp:release_year
|
gptkb:1964
gptkb:2005
|
|
gptkbp:remake
|
gptkb:none
gptkb:L'_Enfer_(2005)
|
|
gptkbp:runtime
|
105 minutes
100 minutes
|
|
gptkbp:screenplay
|
gptkb:Henri-Georges_Clouzot
|
|
gptkbp:screenplay_by
|
gptkb:François_Ozon
|
|
gptkbp:setting
|
gptkb:Paris
|
|
gptkbp:starring
|
gptkb:Charles_Berling
gptkb:Jean-Pierre_Kalfon
gptkb:Serge_Reggiani
gptkb:Jacques_Nolot
gptkb:Claudine_Auger
gptkb:Marie_Gillain
|
|
gptkbp:style
|
stream of consciousness
|
|
gptkbp:symbolism
|
gptkb:Fire
shadows
strong
light and darkness
use of hell as a metaphor
|
|
gptkbp:theme
|
gptkb:jealousy
gptkb:infidelity
human suffering
psychological drama
|
|
gptkbp:themes
|
gptkb:jealousy
madness
obsession
desire
|
|
gptkbp:translated_into
|
English
|
|
gptkbp:bfsParent
|
gptkb:Édith_Piaf
|
|
gptkbp:bfsLayer
|
4
|