John Cage: Sonatas and Interludes for Prepared Piano
GPTKB entity
Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:adaptations |
arrangements for other instruments
|
| gptkbp:associated_with |
chance music
|
| gptkbp:associated_with_movements |
associated with Fluxus movement
|
| gptkbp:composer |
gptkb:John_Cage
|
| gptkbp:critical_reception |
widely acclaimed
|
| gptkbp:cultural_impact |
influenced contemporary classical music
|
| gptkbp:cultural_significance |
reflects post-war artistic movements
remains relevant in contemporary music discussions |
| gptkbp:dedication |
gptkb:Marcel_Duchamp
|
| gptkbp:duration |
approximately 50 minutes
|
| gptkbp:famous_event |
featured in contemporary music festivals
|
| gptkbp:focus |
exploration of sound and noise
|
| gptkbp:genre |
avant-garde
|
| gptkbp:historical_context |
emerged during the modernist movement
|
| gptkbp:historical_interpretation |
varied interpretations by different pianists
interpreted by renowned pianists |
| gptkbp:historical_significance |
pioneered new techniques in piano performance
|
| gptkbp:influence |
experimental music
|
| gptkbp:influenced |
postmodern music
|
| gptkbp:influenced_artists |
inspired future generations of composers
influenced experimental and electronic music |
| gptkbp:influenced_by |
gptkb:American_avant-garde
|
| gptkbp:inspiration |
gptkb:Dadaism
|
| gptkbp:inspired_by |
Eastern philosophy
|
| gptkbp:instrumentation |
prepared piano
|
| gptkbp:legacy |
considered a landmark in 20th-century music
|
| gptkbp:music_style |
sonata form
|
| gptkbp:notable_authors |
studied by musicologists
|
| gptkbp:notable_collaborations |
collaborated with visual artists
|
| gptkbp:notable_event |
featured in music conferences
|
| gptkbp:notable_features |
use of unconventional objects in piano
|
| gptkbp:notable_influence |
influenced visual arts and literature
|
| gptkbp:notable_performances |
performed in prestigious venues
|
| gptkbp:notable_performers |
gptkb:Yvar_Mikhashoff
|
| gptkbp:notable_recordings |
performed by various artists
recorded by various labels |
| gptkbp:notable_technique |
prepared piano
|
| gptkbp:number_of_movements |
gptkb:16
|
| gptkbp:performance |
often performed in concert settings
varies by interpretation |
| gptkbp:performed_at |
major music festivals
|
| gptkbp:performed_by |
prepared piano specialists
|
| gptkbp:performed_in |
universities and conservatories
|
| gptkbp:premiere |
1948
|
| gptkbp:publisher |
gptkb:C._F._Peters_Corporation
|
| gptkbp:recordings |
available on various albums
|
| gptkbp:related_works |
Sonatas and Interludes for Prepared Piano (1950)
|
| gptkbp:style |
minimalism
|
| gptkbp:thematic_element |
exploration of silence
|
| gptkbp:topics |
subject of academic discussions and papers
|
| gptkbp:year_composed |
1946
|
| gptkbp:bfsParent |
gptkb:Sonatas_and_Interludes
|
| gptkbp:bfsLayer |
5
|