Johann Christoph Telemann V

GPTKB entity

Statements (106)
Predicate Object
gptkbp:instance_of gptkb:composer
gptkbp:bfsLayer 6
gptkbp:bfsParent gptkb:Johann_Heinrich_Telemann
gptkbp:associated_act gptkb:Hamburg_Opera
gptkbp:associated_with gptkb:Frankfurt
gptkb:Dresden
gptkb:Hamburg
gptkbp:birth_date 1681-03-14
gptkbp:child gptkb:Johann_Christoph_Telemann_II
gptkb:Johann_Friedrich_Telemann_II
gptkb:Johann_Friedrich_Telemann_III
gptkb:Johann_Friedrich_Telemann_IV
gptkb:Johann_Friedrich_Telemann_V
gptkb:Johann_Georg_Telemann_II
gptkb:Johann_Georg_Telemann_III
gptkb:Johann_Georg_Telemann_IV
gptkb:Johann_Georg_Telemann_V
gptkb:Johann_Heinrich_Telemann_III
gptkb:Johann_Heinrich_Telemann_IV
gptkb:Johann_Heinrich_Telemann_V
gptkb:Johann_Ludwig_Telemann
gptkb:Johann_Peter_Telemann_II
gptkb:Johann_Peter_Telemann_III
gptkb:Johann_Peter_Telemann_IV
gptkb:Johann_Peter_Telemann_V
gptkb:Johann_Wilhelm_Telemann_II
gptkb:Johann_Wilhelm_Telemann_III
gptkb:Johann_Wilhelm_Telemann_IV
gptkb:Johann_Wilhelm_Telemann_V
gptkb:Johann_Gottlieb_Telemann_II
gptkb:Johann_Gottlieb_Telemann_III
gptkb:Johann_Gottlieb_Telemann_IV
gptkb:Johann_Heinrich_Telemann_II
gptkb:Johann_Ludwig_Telemann_II
gptkb:Johann_Ludwig_Telemann_III
gptkb:Johann_Ludwig_Telemann_IV
gptkb:Johann_Ludwig_Telemann_V
gptkb:Johann_Gottlieb_Telemann
gptkb:Johann_Heinrich_Telemann
gptkb:Johann_Peter_Telemann
gptkb:Johann_Wilhelm_Telemann
gptkb:Johann_Georg_Telemann
gptkb:Johann_Friedrich_Telemann
Johann Gottlieb Telemann V
gptkbp:composed_of gptkb:orchestra
gptkb:opera
Passions
Concertos
Sonatas
Vocal Music
Sacred Music
Cantatas
Orchestral Suites
gptkbp:death_date 1767-06-25
gptkbp:education gptkb:University_of_Leipzig
gptkbp:famous_for Influence on later composers
Prolific output
Use of counterpoint
Innovative style
Melodic inventiveness
Contribution to Baroque music
Integration of folk elements in music
Development of orchestral music
Harmonic experimentation
Revival of interest in the 20th century
Accessibility of music
Contribution to the development of the sonata form
Integration of national styles
Popularity during his lifetime
Use of dance forms in compositions
Use of diverse instrumentation
Vocal and instrumental balance
Writing for chamber ensembles
Writing for different artistic movements
Writing for different audiences
Writing for different cultural influences
Writing for different genres of music
Writing for different historical contexts
Writing for different musical traditions
Writing for different performance settings
Writing for keyboard instruments
Writing for large ensembles
Writing for mixed ensembles
Writing for orchestras
Writing for sacred and secular contexts
Writing for solo instruments
Writing for strings
Writing for various ensembles
Writing for various occasions
Writing for voice
Writing for wind instruments
Influence on the development of the concerto grosso
gptkbp:genre gptkb:Baroque
Classical
https://www.w3.org/2000/01/rdf-schema#label Johann Christoph Telemann V
gptkbp:influenced gptkb:Carl_Philipp_Emanuel_Bach
gptkbp:influenced_by gptkb:Johann_Sebastian_Bach
gptkbp:instrument Violin
gptkbp:known_for Baroque music
gptkbp:nationality gptkb:Native_American_tribe
gptkbp:notable_work gptkb:Tafelmusik
gptkb:Concerto_for_Flute_and_Orchestra_in_G_Major
Der geduldige Socrates
Miserere mei, Deus
gptkbp:occupation gptkb:musician
gptkbp:spouse gptkb:Anna_Margarete_Telemann