Properties (67)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:Film_Director
|
| gptkbp:activeYears |
1600-1639
|
| gptkbp:adaptation |
His works adapted into films
|
| gptkbp:associatedAct |
Comedia
|
| gptkbp:birthDate |
1581
|
| gptkbp:contributedTo |
Innovative use of dialogue
|
| gptkbp:culturalSignificance |
gptkb:Spanish_Baroque
|
| gptkbp:deathDate |
1639
|
| gptkbp:education |
gptkb:University_of_Salamanca
|
| gptkbp:family |
Noble family background
|
| gptkbp:famousFor |
Social commentary in plays
|
| gptkbp:genre |
Baroque literature
|
| https://www.w3.org/2000/01/rdf-schema#label |
Javier Ruiz de Alarcón
|
| gptkbp:influenced |
gptkb:Spanish_Golden_Age_literature
|
| gptkbp:influencedBy |
gptkb:Lope_de_Vega
|
| gptkbp:influenceOn |
Spanish_literature
Modern_Spanish_theater |
| gptkbp:language |
gptkb:Spanish
|
| gptkbp:nationality |
gptkb:Spanish
|
| gptkbp:notableFeature |
gptkb:Doña_Inés
Don Juan Don_Fernando |
| gptkbp:notableWork |
gptkb:Los_dos_amantes_de_Teruel
El desdén con el desdén La verdad sospechosa |
| gptkbp:occupation |
Playwright
|
| gptkbp:placeOfBirth |
gptkb:Guadalajara,_Spain
|
| gptkbp:placeOfDeath |
Mexico_City,_Mexico
|
| gptkbp:thematicElement |
Comedy
Cultural heritage Historical context Imagery Morality Revenge Satire Social commentary Social justice Social norms Symbolism Tragedy Irony Character development Sacrifice Conflict resolution Metaphor Cultural identity Existential themes Artistic expression Philosophical questions Human condition Gender roles Human relationships Power dynamics Family loyalty Cultural critique Literary innovation Narrative techniques Crisis of faith Tradition vs modernity Crisis of identity Conflict between love and duty Deception and truth Social class issues Plot structure Honor codes Moral_dilemmas Love_and_honor |