Here to Be Heard: The Story of The Slits
GPTKB entity
Statements (62)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:addresses |
cultural appropriation
|
| gptkbp:analyzes |
cultural significance
musical influences music industry challenges The Slits' songwriting process |
| gptkbp:artist |
gptkb:The_Slits
|
| gptkbp:collects |
DIY ethos
|
| gptkbp:depicts |
1970s London music scene
|
| gptkbp:directed_by |
gptkb:William_E._Jones
|
| gptkbp:discusses |
gptkb:philosopher
personal struggles The Slits' formation The Slits' impact on culture The Slits' reunion |
| gptkbp:distribution |
gptkb:Kino_Lorber
|
| gptkbp:examines |
social issues
gender roles in music The Slits' discography The Slits' impact on future generations The Slits' influences on fashion The Slits' legacy |
| gptkbp:exhibition |
band members
|
| gptkbp:explores |
collaborations
punk rock music the punk movement the evolution of punk music the role of women in punk |
| gptkbp:features |
gptkb:historical_event
gptkb:book_series music videos behind-the-scenes footage live recordings archival interviews fan interviews |
| gptkbp:focuses_on |
gptkb:The_Slits
|
| gptkbp:genre |
gptkb:film
|
| gptkbp:has_cameo |
gptkb:musician
|
| gptkbp:highlights |
cultural impact
musical innovation artistic evolution The Slits' influence on feminism The Slits' style |
| gptkbp:includes |
critical reviews
fan reactions archival footage fan testimonials |
| gptkbp:influence |
later punk bands
|
| gptkbp:language |
English
|
| gptkbp:legacy |
gptkb:The_Slits
|
| gptkbp:narrated_by |
gptkb:Viv_Albertine
|
| gptkbp:notable_performers |
music critics
|
| gptkbp:portrayed_by |
female empowerment
|
| gptkbp:premiered_on |
gptkb:South_by_Southwest_Film_Festival
|
| gptkbp:produced_by |
gptkb:Molly_Dineen
|
| gptkbp:received |
critical acclaim
|
| gptkbp:released |
gptkb:2017
|
| gptkbp:runtime |
80 minutes
|
| gptkbp:showcases |
live performances
|
| gptkbp:themes |
gptkb:TV_series
|
| gptkbp:bfsParent |
gptkb:The_Slits
|
| gptkbp:bfsLayer |
4
|