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gptkbp:instance_of
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gptkb:play
|
|
gptkbp:adapted_into
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gptkb:theater
|
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gptkbp:awards
|
Best New Play
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gptkbp:characters
|
gptkb:Tom
gptkb:Anna
gptkb:David
gptkb:Sarah
gptkb:Mark
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|
gptkbp:critical_reception
|
positive
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gptkbp:duration
|
approximately 90 minutes
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gptkbp:genre
|
gptkb:drama
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https://www.w3.org/2000/01/rdf-schema#label
|
Guilt
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gptkbp:influences
|
Australian culture
contemporary issues
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gptkbp:language
|
English
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gptkbp:notable_production
|
gptkb:Perth_Theatre_Company
gptkb:Sydney_Theatre_Company
gptkb:Melbourne_Theatre_Company
gptkb:Queensland_Theatre
gptkb:Adelaide_Festival
|
|
gptkbp:performance_style
|
two-act play
|
|
gptkbp:premiered_on
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gptkb:2019
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gptkbp:published_by
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gptkb:Currency_Press
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gptkbp:related_to
|
gptkb:loyalty
gptkb:character_development
gptkb:deception
gptkb:trust
ethical questions
social issues
moral values
personal responsibility
human relationships
redemption
audience engagement
forgiveness
moral dilemmas
plot structure
catharsis
social norms
truth
emotional conflict
consequences
family dynamics
personal values
psychological conflict
cultural expectations
psychological impact
thematic depth
theatrical techniques
dramatic tension
betrayal of trust
Guilt (emotion)
|
|
gptkbp:setting
|
gptkb:Australia
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:family
morality
|
|
gptkbp:written_by
|
gptkb:David_Williamson
|
|
gptkbp:bfsParent
|
gptkb:Batman
gptkb:Anna
gptkb:Inception
gptkb:Joe
gptkb:Megan
gptkb:Franz_Kafka
gptkb:Peter_Parker
gptkb:Spider-Man
gptkb:The_Little_Things
gptkb:The_Tragedy_of_Macbeth_(2021)
gptkb:The_Trial_(opera)
|
|
gptkbp:bfsLayer
|
4
|