Gavotte en Rondeau in E major, BWV 1006
GPTKB entity
Statements (45)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
musical composition
|
| gptkbp:characteristics |
dance suite
|
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:cultural_significance |
important in violin repertoire
analyzed in music theory courses featured in music festivals performed in masterclasses often included in concert programs admired for its technical demands appreciated for its lyrical qualities celebrated for its elegance frequently studied by students |
| gptkbp:duration |
approximately 3 minutes
|
| gptkbp:formFactor |
binary form
|
| gptkbp:genre |
Baroque music
|
| gptkbp:historicalContext |
part of a collection of dance movements
reflects the style of the time written_during_the_Baroque_period |
| https://www.w3.org/2000/01/rdf-schema#label |
Gavotte en Rondeau in E major, BWV 1006
|
| gptkbp:influenced |
French_dance_music
|
| gptkbp:instrument |
solo violin
|
| gptkbp:is_featured_in |
festivals
competitions recitals |
| gptkbp:is_part_of |
Partita No. 3 in E major, BWV 1006
Baroque violin repertoire |
| gptkbp:keyIssues |
E major
|
| gptkbp:notable_feature |
syncopation
melodic ornamentation contrapuntal texture rhythmic drive |
| gptkbp:performance |
unknown
|
| gptkbp:performedBy |
orchestras
soloists chamber ensembles |
| gptkbp:publishedBy |
1800s
|
| gptkbp:recordings |
gptkb:Itzhak_Perlman
gptkb:Joshua_Bell gptkb:Anne-Sophie_Mutter gptkb:Hilary_Hahn |
| gptkbp:relatedPatent |
gptkb:Bach's_violin_concertos
gptkb:Bach's_cello_suites |
| gptkbp:signature |
4/4
four sharps |
| gptkbp:speed |
Allegro
|