|
gptkbp:instance_of
|
gptkb:Concerto_for_Orchestra
|
|
gptkbp:arrangements
|
various ensembles
|
|
gptkbp:associated_with
|
Bach's legacy
|
|
gptkbp:character
|
dialogue between soloists
|
|
gptkbp:characteristics
|
counterpoint and harmony
|
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:cultural_significance
|
important work in Baroque repertoire
|
|
gptkbp:dedicated_to
|
gptkb:Duke_of_Weimar
|
|
gptkbp:duration
|
approximately 20 minutes
|
|
gptkbp:featured_in
|
classical music festivals
|
|
gptkbp:has_cultural_impact
|
in classical music education
|
|
gptkbp:historical_context
|
written during Bach's Weimar period
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
G major Concerto for Two Harpsichords
|
|
gptkbp:influenced
|
later keyboard concertos
|
|
gptkbp:influenced_artists
|
gptkb:Mozart
|
|
gptkbp:influenced_by
|
Italian concerto style
|
|
gptkbp:inspired_by
|
gptkb:Vivaldi's_concertos
|
|
gptkbp:instruments
|
harpsichord
|
|
gptkbp:is_analyzed_in
|
music theory studies
|
|
gptkbp:is_often_accompanied_by
|
continuo instruments
|
|
gptkbp:is_often_featured_in
|
gptkb:educational_programs
recitals
|
|
gptkbp:is_often_used_in
|
music competitions
chamber music concerts
pianists
recital settings
duos of harpsichordists
other Bach concertos
|
|
gptkbp:is_studied_in
|
musicology courses
|
|
gptkbp:key
|
G major
|
|
gptkbp:music_composer
|
Baroque orchestras
|
|
gptkbp:next_edition
|
Urtext editions
|
|
gptkbp:notable_collaborations
|
Bach and his sons
|
|
gptkbp:notable_collaborators
|
orchestras for performances
other Baroque composers
|
|
gptkbp:notable_compositional_techniques
|
fugal writing
|
|
gptkbp:notable_conductors
|
gptkb:John_Eliot_Gardiner
|
|
gptkbp:notable_influence
|
Baroque music traditions
|
|
gptkbp:notable_performances
|
gptkb:Academy_of_Ancient_Music
|
|
gptkbp:notable_performers
|
gptkb:Andreas_Staier
|
|
gptkbp:notable_recordings
|
gptkb:Angela_Hewitt
|
|
gptkbp:notable_transcriptions
|
for piano
|
|
gptkbp:number_of_movements
|
gptkb:3
|
|
gptkbp:often_performed_by_groups
|
historically informed ensembles
|
|
gptkbp:orchestration
|
strings and continuo
|
|
gptkbp:part_of
|
gptkb:BWV_1061
|
|
gptkbp:performance
|
Baroque performance practices
|
|
gptkbp:performed_at
|
concert halls worldwide
|
|
gptkbp:performed_by
|
two harpsichords
|
|
gptkbp:performed_by_students
|
music conservatories
|
|
gptkbp:performed_in
|
historical performance practice
|
|
gptkbp:published_in
|
gptkb:Bach_Gesellschaft_edition
|
|
gptkbp:recorded_by
|
gptkb:Murray_Perahia
|
|
gptkbp:second_movement
|
gptkb:Allegro
gptkb:Largo
|
|
gptkbp:signature
|
Bach's keyboard music
|
|
gptkbp:style
|
gptkb:Baroque
|
|
gptkbp:written_in
|
1730s
|
|
gptkbp:bfsParent
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:bfsLayer
|
4
|