|
gptkbp:instance_of
|
gptkb:art_exhibition
|
|
gptkbp:art_movement
|
gptkb:Symbolism
gptkb:Expressionism
gptkb:Fauvism
gptkb:Post-Impressionism
|
|
gptkbp:attendance
|
high
|
|
gptkbp:cultural_impact
|
Influenced future exhibitions
Promoted cultural exchange
Reflected societal changes
Promoted modernist ideas
Promoted art education
Encouraged artistic experimentation
Showcased diverse artistic styles
Encouraged public engagement with art
Contributed to art history
Fostered international art dialogue
Inspired future artists
Contributed to Vienna's art scene
Encouraged art patronage
Engaged public interest in art
Highlighted female artists
Influenced art collectors
Showcased avant-garde techniques
Stimulated art criticism
|
|
gptkbp:curator
|
gptkb:Josef_Hoffmann
|
|
gptkbp:duration
|
several weeks
|
|
gptkbp:exhibition
|
Contemporary art
|
|
gptkbp:exhibition_space
|
gptkb:Secession_Building
|
|
gptkbp:featured_in
|
gptkb:The_Embrace
gptkb:The_Bride
gptkb:Portrait_of_Wally
gptkb:The_Kiss
gptkb:Death_and_Life
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Forty-third Secession Exhibition
|
|
gptkbp:influenced_by
|
gptkb:Art_Nouveau
|
|
gptkbp:is_organized_by
|
gptkb:Vienna_Secession
|
|
gptkbp:location
|
gptkb:Vienna
|
|
gptkbp:notable_artists
|
gptkb:Oskar_Kokoschka
gptkb:Egon_Schiele
gptkb:Gustav_Klimt
|
|
gptkbp:predecessor
|
gptkb:Forty-second_Secession_Exhibition
|
|
gptkbp:significance
|
Showcased avant-garde art
|
|
gptkbp:successor
|
gptkb:Forty-fourth_Secession_Exhibition
|
|
gptkbp:theme
|
Modern art
|
|
gptkbp:year
|
1911
|
|
gptkbp:bfsParent
|
gptkb:Vienna_Secession_Movement
|
|
gptkbp:bfsLayer
|
5
|