gptkbp:instance_of
|
gptkb:The_Magic_Flute
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gptkbp:character
|
Expressive
Lyrical
Virtuosic
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gptkbp:composer
|
gptkb:Carl_Philipp_Emanuel_Bach
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gptkbp:cultural_significance
|
Important work in flute repertoire
|
gptkbp:dedication
|
gptkb:Frederick_the_Great
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gptkbp:duration
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approximately 20 minutes
|
gptkbp:first_performance
|
1748
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gptkbp:form
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Concerto form
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gptkbp:historical_context
|
Early Classical period
|
https://www.w3.org/2000/01/rdf-schema#label
|
Flute Concerto in D minor, H. 425
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gptkbp:influenced
|
Later flute concertos
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gptkbp:influenced_by
|
Galant style
Baroque concerto
|
gptkbp:instrumentation
|
gptkb:The_Magic_Flute
|
gptkbp:involved_forces
|
gptkb:orchestra
|
gptkbp:key
|
D minor
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gptkbp:movement
|
gptkb:Allegro
gptkb:Adagio
Allegro assai
|
gptkbp:notable_aspect
|
Emotional depth
Use of motifs
Dynamic contrasts
Influence on later composers
Technical challenges
Use of silence
Expressive phrasing
Harmonic richness
Melodic beauty
Contrapuntal elements
Rhythmic variety
Emphasis on the flute
Interaction with the orchestra
|
gptkbp:notable_feature
|
Dialogue between soloist and orchestra
Contrast between movements
Use of the cadenza
|
gptkbp:notable_recordings
|
gptkb:Jean-Pierre_Rampal
gptkb:Jacques_Zoon
gptkb:András_Adorján
|
gptkbp:opus_number
|
H. 425
|
gptkbp:performance
|
Ornamentation
Cadenzas
|
gptkbp:performed_by
|
Many orchestras worldwide
|
gptkbp:published
|
1750
|
gptkbp:recorded_by
|
gptkb:Various_artists
|
gptkbp:related_works
|
gptkb:Flute_Concerto_in_D_major,_H._425
gptkb:Flute_Concerto_in_E_minor,_H._426
|
gptkbp:repertoire
|
Orchestras
Chamber ensembles
Flute players
|
gptkbp:style
|
Classical
|
gptkbp:year_composed
|
1747
|
gptkbp:bfsParent
|
gptkb:C._P._E._Bach
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gptkbp:bfsLayer
|
5
|