Fifty-First Exhibition (1949)
GPTKB entity
Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_exhibition
|
| gptkbp:art_style |
Abstract art
|
| gptkbp:artwork |
over 100.
|
| gptkbp:attendance |
51
high record-breaking. |
| gptkbp:audience |
art critics.
general public. |
| gptkbp:critical_reception |
mixed reviews
|
| gptkbp:cultural_impact |
Post-World War II America.
|
| gptkbp:curated_by |
gptkb:William_S._Rubin
|
| gptkbp:duration |
several months
|
| gptkbp:exhibition |
gptkb:art_exhibition
published minimalist. remains influential. May to September. American identity in art. John Canaday. May 1949. September 1949. artistic revolution. influenced art market. marked a turning point in American art. on contemporary art movements. open space. published in major art magazines. solo and group works. varied from praise to criticism. |
| gptkbp:focus |
gptkb:political_organization
|
| gptkbp:goal |
to showcase contemporary art.
|
| gptkbp:highlights |
emphasis on large canvases.
|
| https://www.w3.org/2000/01/rdf-schema#label |
Fifty-First Exhibition (1949)
|
| gptkbp:impact |
helped define American art.
|
| gptkbp:influenced |
future art exhibitions
|
| gptkbp:influenced_artists |
younger generation of artists.
|
| gptkbp:is_featured_in |
large-scale paintings
|
| gptkbp:is_organized_by |
gptkb:The_Museum_of_Modern_Art
|
| gptkbp:legacy |
paved the way for future exhibitions.
|
| gptkbp:location |
gptkb:Borough
|
| gptkbp:media_coverage |
extensive
|
| gptkbp:movement |
gptkb:church
|
| gptkbp:notable_artists |
gptkb:Jackson_Pollock
gptkb:Mark_Rothko gptkb:Willem_de_Kooning |
| gptkbp:notable_work |
No. 5, 1948 by Jackson Pollock
Woman I by Willem de Kooning Untitled (Black on Grey) by Mark Rothko |
| gptkbp:significance |
Showcased post-war American art.
|
| gptkbp:sponsor |
The Museum of Modern Art.
|
| gptkbp:themes |
freedom and expression.
|
| gptkbp:year |
gptkb:1949
|
| gptkbp:bfsParent |
gptkb:Berlin_Secession_Exhibitions
|
| gptkbp:bfsLayer |
5
|