Statements (70)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:opera
film adaptations. adapted into various languages. television adaptations. |
| gptkbp:audience |
often studied in literature classes.
invites reflection on morality. |
| gptkbp:author |
gptkb:Friedrich_Schiller
|
| gptkbp:character |
Fiesco is a nobleman.
Lorenzo is a duke. |
| gptkbp:character_arc |
Fiesco's transformation from noble to vengeful.
Lorenzo's manipulation of others. |
| gptkbp:character_development |
Fiesco's ambition leads to his downfall.
Lorenzo's cunning nature. |
| gptkbp:character_motivation |
Fiesco's desire for justice.
Lorenzo's fear of losing power. |
| gptkbp:character_relationships |
complex relationships between characters.
Fiesco and Lorenzo are rivals. Fiesco vs. Lorenzo. |
| gptkbp:climax |
Fiesco's plot against Lorenzo.
|
| gptkbp:conflict |
gptkb:political_intrigue
|
| gptkbp:critical_reception |
mixed reviews
|
| gptkbp:cultural_impact |
influenced German theater.
|
| gptkbp:cultural_significance |
reflects themes of ambition and morality.
|
| gptkbp:first_performance |
1783
|
| gptkbp:genre |
gptkb:tragedy
|
| gptkbp:historical_context |
Genoa during the Renaissance.
set in the 16th century. |
| gptkbp:historical_figures |
inspired by real historical figures.
|
| gptkbp:historical_legacy |
remains relevant in discussions of power.
|
| https://www.w3.org/2000/01/rdf-schema#label |
Fiesco gegen Lorenzo
|
| gptkbp:influence |
gptkb:Italian_Renaissance
inspired later playwrights. |
| gptkbp:influenced_artists |
part of Schiller's body of work.
|
| gptkbp:inspiration |
gptkb:historical_events
|
| gptkbp:is_motivated_by |
Fiesco seeks revenge.
Lorenzo seeks to maintain power. |
| gptkbp:language |
gptkb:German
|
| gptkbp:main_character |
gptkb:Lorenzo
gptkb:Fiesco |
| gptkbp:moral |
the cost of ambition.
|
| gptkbp:motif |
betrayal of trust
|
| gptkbp:music_style |
five acts.
audience knows the fate of characters. created through character interactions. features dramatic monologues. heightened by political stakes. includes asides. uses soliloquies. |
| gptkbp:narrative_style |
uses foreshadowing.
employs symbolism. classical tragedy. features irony. |
| gptkbp:notable_quote |
" Die Freiheit ist ein hohes Gut."
|
| gptkbp:performance |
performed in various theaters.
|
| gptkbp:performance_tradition |
performed in German-speaking countries.
|
| gptkbp:plot |
centers around a power struggle.
|
| gptkbp:published |
1800
|
| gptkbp:resolution |
tragic outcomes for both characters.
|
| gptkbp:setting |
gptkb:Genoa
|
| gptkbp:symbolism |
the consequences of ambition.
the struggle for power. |
| gptkbp:thematic_element |
the consequences of betrayal.
the fragility of trust. the nature of revenge. |
| gptkbp:theme |
gptkb:power
gptkb:betrayal gptkb:revenge |
| gptkbp:bfsParent |
gptkb:Die_Verschwörung_des_Fiesco_zu_Genua
|
| gptkbp:bfsLayer |
6
|