F minor Harpsichord Concerto
GPTKB entity
Statements (60)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Concerto_for_Orchestra
|
| gptkbp:arrangements |
Arranged for various ensembles.
|
| gptkbp:artistic_legacy |
Continues to inspire musicians.
Part of Western classical music heritage. |
| gptkbp:audience |
Well-received by audiences.
|
| gptkbp:characteristics |
Expressive and intricate.
|
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:cultural_impact |
Influenced later composers.
|
| gptkbp:cultural_significance |
Important in harpsichord repertoire.
Represents Baroque musical aesthetics. |
| gptkbp:dedication |
Not specifically dedicated.
|
| gptkbp:duration |
approximately 15 minutes
|
| gptkbp:educational_use |
Used in music education.
|
| gptkbp:first_performance |
1730
|
| gptkbp:form |
gptkb:Concerto_grosso
|
| gptkbp:genre |
Baroque music
|
| gptkbp:historical_context |
Composed during the Baroque period.
|
| gptkbp:historical_significance |
Significant in the development of keyboard concertos.
|
| https://www.w3.org/2000/01/rdf-schema#label |
F minor Harpsichord Concerto
|
| gptkbp:influence_on_genres |
Influenced classical and jazz genres.
|
| gptkbp:influenced |
Later keyboard concertos
|
| gptkbp:influences |
Italian concertos.
|
| gptkbp:inspiration |
Inspired by earlier concerto forms.
|
| gptkbp:instrument |
Harpsichord
|
| gptkbp:instruments |
Harpsichord, strings, continuo.
|
| gptkbp:key |
F minor
|
| gptkbp:legacy |
Continues to be performed and recorded.
|
| gptkbp:movement |
gptkb:Allegro
gptkb:Largo Allegro assai |
| gptkbp:music_education |
Studied in music conservatories.
|
| gptkbp:music_style |
Analyzed for its harmonic structure.
Use of counterpoint. Three-movement structure. |
| gptkbp:notable_conductors |
Conducted by prominent conductors.
|
| gptkbp:notable_feature |
Virtuosic harpsichord passages.
|
| gptkbp:notable_performers |
gptkb:Murray_Perahia
gptkb:András_Schiff gptkb:Angela_Hewitt |
| gptkbp:notable_production |
Premiered in the early 18th century.
|
| gptkbp:notable_recordings |
Various artists have recorded it.
|
| gptkbp:number_of_movements |
gptkb:3
|
| gptkbp:orchestration |
Strings and continuo
|
| gptkbp:performance |
Often performed in concert settings.
Historically informed performances are common. |
| gptkbp:performance_style |
Often performed with ornamentation.
|
| gptkbp:performance_venue |
Performed in concert halls worldwide.
|
| gptkbp:published |
after 1730
|
| gptkbp:record_label |
Various classical music labels.
|
| gptkbp:recordings |
Numerous recordings exist.
Early recordings exist. Utilizes modern recording techniques. |
| gptkbp:related_works |
gptkb:Brandenburg_Concerto_No._5
|
| gptkbp:signature |
4 flats
|
| gptkbp:style |
Baroque style
|
| gptkbp:tempo |
Varies by movement.
|
| gptkbp:thematic_element |
Features distinctive themes.
|
| gptkbp:time_signature |
4/4
|
| gptkbp:bfsParent |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:bfsLayer |
4
|