Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:based_on |
gptkb:Dracula
|
| gptkbp:character |
gptkb:Count_Orlok
Knock Ellen Hutter Hutter |
| gptkbp:cinematography |
gptkb:Fritz_Arno_Wagner
|
| gptkbp:country |
gptkb:government_agency
|
| gptkbp:cultural_impact |
considered a classic of horror cinema
|
| gptkbp:depicts |
vampirism
the plague the arrival of a vampire |
| gptkbp:directed_by |
gptkb:F._W._Murnau
|
| gptkbp:features |
supernatural elements
|
| gptkbp:filmography |
Alfredo Frassinetti
|
| gptkbp:genre |
gptkb:Actor
|
| https://www.w3.org/2000/01/rdf-schema#label |
F. W. Murnau's Nosferatu
|
| gptkbp:influenced |
gptkb:film
future horror films the portrayal of vampires in media |
| gptkbp:influenced_by |
gptkb:German_Expressionism
|
| gptkbp:inspired |
the horror film genre
many adaptations of Dracula |
| gptkbp:language |
gptkb:Actor
|
| gptkbp:music_by |
gptkb:Hans_Erdmann
|
| gptkbp:notable_appearance |
the shadow of Count Orlok
|
| gptkbp:notable_for |
its cultural significance
its historical importance its unique visual style its iconic imagery its use of light and shadow its artistic achievements its impact on horror aesthetics its legacy in film history its haunting score its atmospheric visuals its use of practical effects its public domain status being one of the first vampire films its contribution to silent cinema its exploration of fear and death its influence on later vampire films its innovative use of shadows its portrayal of isolation and dread its role in establishing horror as a film genre |
| gptkbp:premiere |
gptkb:Berlin
|
| gptkbp:production_company |
gptkb:Prana_Film
|
| gptkbp:release_date |
gptkb:1922
|
| gptkbp:released_in |
gptkb:government_agency
|
| gptkbp:remake |
gptkb:Nosferatu_the_Vampyre
|
| gptkbp:runtime |
94 minutes
|
| gptkbp:set_in |
gptkb:Transylvania
Wisborg |
| gptkbp:starring |
gptkb:Max_Schreck
|
| gptkbp:bfsParent |
gptkb:Nosferatu:_Phantom_der_Nacht
|
| gptkbp:bfsLayer |
6
|