Elegia for Double Bass and Orchestra
GPTKB entity
Statements (51)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:musical_composition
|
gptkbp:arrangements |
arranged for various ensembles
|
gptkbp:artistic_influence |
influenced the development of double bass compositions.
|
gptkbp:audience |
well-received by audiences
|
gptkbp:character |
lyrical
|
gptkbp:composer |
gptkb:Krzysztof_Penderecki
|
gptkbp:critical_reception |
generally positive
|
gptkbp:cultural_impact |
part of the double bass repertoire
|
gptkbp:cultural_references |
referenced in music literature
|
gptkbp:cultural_significance |
reflects post-war Polish music
|
gptkbp:dedication |
to the memory of the victims of the Holocaust
|
gptkbp:duration |
approximately 10 minutes
|
gptkbp:educational_use |
used in music conservatories
|
gptkbp:first_performance |
gptkb:Warsaw
|
gptkbp:genre |
gptkb:classical
|
gptkbp:historical_context |
composed during a time of political turmoil
|
gptkbp:historical_interpretation |
varied interpretations by different performers
|
https://www.w3.org/2000/01/rdf-schema#label |
Elegia for Double Bass and Orchestra
|
gptkbp:impact |
evokes deep emotions
|
gptkbp:influenced_artists |
inspired contemporary composers
|
gptkbp:influenced_by |
influenced by the avant-garde movement
|
gptkbp:influences |
Polish folk music
|
gptkbp:inspiration |
personal experiences of the composer
|
gptkbp:instrumentation |
gptkb:bass_guitar
|
gptkbp:legacy |
remains a significant work in the double bass repertoire
|
gptkbp:music_style |
free form
atonal elements uses harmonics and glissandi |
gptkbp:notable_collaborations |
collaborated with various musicians
|
gptkbp:notable_conductors |
conducted by prominent conductors
|
gptkbp:notable_event |
featured in music competitions
|
gptkbp:notable_performances |
performed at international music festivals
|
gptkbp:notable_performers |
gptkb:Gary_Karr
|
gptkbp:notable_recordings |
performed by various orchestras
|
gptkbp:orchestration |
gptkb:orchestra
|
gptkbp:performance |
challenging for performers due to its technical demands
requires advanced double bass technique |
gptkbp:performance_tradition |
often performed in recitals
|
gptkbp:performance_venue |
often performed in concert halls
|
gptkbp:premiere_date |
gptkb:1961
|
gptkbp:published_by |
PWM Edition
|
gptkbp:recordings |
available on various classical music labels
|
gptkbp:related_works |
Penderecki's other orchestral works
|
gptkbp:structure |
single movement
|
gptkbp:style |
modern classical
|
gptkbp:technique |
extended techniques for double bass
|
gptkbp:theme |
explores themes of grief and reflection
|
gptkbp:themes |
mourning and loss
|
gptkbp:year_composed |
gptkb:1960
|
gptkbp:bfsParent |
gptkb:Giovanni_Bottesini
|
gptkbp:bfsLayer |
7
|