Electric Counterpoint: Three Movements for Electric Guitar and Tape
GPTKB entity
Statements (43)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:associated_with |
postmodern music
|
| gptkbp:characteristics |
layering of guitar parts
|
| gptkbp:composer |
gptkb:Steve_Reich
|
| gptkbp:cultural_significance |
important work in minimalist music
|
| gptkbp:duration |
approximately 10 minutes
|
| gptkbp:form |
three movements
|
| gptkbp:genre |
minimalism
|
| gptkbp:influenced |
electronic music
contemporary classical music |
| gptkbp:influenced_by |
gptkb:orchestra
tape music |
| gptkbp:inspired |
guitar compositions
|
| gptkbp:inspired_by |
African music
|
| gptkbp:instrument |
gptkb:studio
|
| gptkbp:instrumentation |
gptkb:musician
|
| gptkbp:is_analyzed_in |
music theory courses
|
| gptkbp:is_available_on |
multiple recordings
|
| gptkbp:is_featured_in |
music festivals
|
| gptkbp:is_recognized_by |
a significant contribution to music
a landmark piece |
| gptkbp:is_studied_in |
music schools
|
| gptkbp:notable_feature |
use of technology
|
| gptkbp:notable_for |
its rhythmic complexity
its use of repetition its innovative use of tape |
| gptkbp:notable_performance |
performed by Pat Metheny
|
| gptkbp:notable_recordings |
Pat Metheny's recording
|
| gptkbp:part_of |
Reich's larger body of work
Steve Reich's minimalist phase |
| gptkbp:performed_by |
various venues
orchestras concerts worldwide various guitarists solo guitarists |
| gptkbp:premiere |
gptkb:1987
|
| gptkbp:record_label |
gptkb:ECM_Records
|
| gptkbp:related_works |
Electric Counterpoint: Four Movements for Electric Guitar and Tape
|
| gptkbp:repertoire |
electric guitar repertoire
|
| gptkbp:style |
polyrhythmic
|
| gptkbp:year_composed |
gptkb:1987
|
| gptkbp:bfsParent |
gptkb:Electric_Counterpoint
|
| gptkbp:bfsLayer |
5
|