Statements (47)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:earthquake
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Damián_Alcázar
|
| gptkbp:adaptation |
gptkb:ballet
gptkb:opera gptkb:film |
| gptkbp:character |
gptkb:Kent
gptkb:Cordelia gptkb:Edmund gptkb:Goneril gptkb:Regan gptkb:Community_Center gptkb:Gloucester gptkb:Edgar |
| gptkbp:cultural_impact |
performed worldwide
inspired numerous adaptations referenced in popular culture studied in literature courses influenced other playwrights |
| gptkbp:first_performance |
1606
|
| gptkbp:genre |
gptkb:High_School
|
| https://www.w3.org/2000/01/rdf-schema#label |
El Rey Lear
|
| gptkbp:influence |
gptkb:theatre
gptkb:film Western literature |
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:King_Lear
|
| gptkbp:notable_performance |
modern adaptations
Shakespearean theater |
| gptkbp:notable_quote |
“ How sharper than a serpent's tooth it is to have a thankless child!”
“ Nothing will come of nothing.” “ The wheel is come full circle.” “ I am a man more sinned against than sinning.” “ When we are born, we cry that we are come to this great stage of fools.” |
| gptkbp:official_language |
Early Modern English
|
| gptkbp:plot |
Betrayal by Goneril and Regan.
King Lear divides his kingdom among his daughters. Lear descends into madness. The tragic fate of Lear and Cordelia. Themes of justice and redemption. |
| gptkbp:published_by |
Folio
Quarto |
| gptkbp:setting |
gptkb:Britain
|
| gptkbp:theme |
gptkb:betrayal
gptkb:family madness |
| gptkbp:written_by |
gptkb:Educational_Institution
|