Telephonische Grüße op. 187
E969492
UNEXPLORED
Telephonische Grüße op. 187 is a light, dance-style orchestral piece by Viennese composer and conductor Eduard Strauss, reflecting the late 19th-century fascination with the then-new technology of the telephone.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Telephonische Grüße op. 187 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T12213079 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Telephonische Grüße op. 187 Context triple: [Eduard Strauss, notableWork, Telephonische Grüße op. 187]
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A.
The Bells, Op. 35
The Bells, Op. 35 is a choral symphony by Sergei Rachmaninoff that sets Edgar Allan Poe’s poem “The Bells” (in Russian translation) to music, blending lush orchestration with evocative bell-like sonorities.
-
B.
Kamennoi-Ostrow, Op. 10
Kamennoi-Ostrow, Op. 10 is a set of romantic piano pieces by Anton Rubinstein, best known for its lyrical and virtuosic character.
-
C.
Soirées musicales, Op. 6
Soirées musicales, Op. 6 is a set of character pieces for piano by Clara Schumann that showcases her early Romantic style and pianistic virtuosity.
-
D.
La bonne chanson, Op. 61
La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
-
E.
Lieder, Op. 1
Lieder, Op. 1 is a collection of songs by composer Fanny Hensel that showcases her early Romantic style and significant contribution to 19th-century art song.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Telephonische Grüße op. 187 Target entity description: Telephonische Grüße op. 187 is a light, dance-style orchestral piece by Viennese composer and conductor Eduard Strauss, reflecting the late 19th-century fascination with the then-new technology of the telephone.
-
A.
The Bells, Op. 35
The Bells, Op. 35 is a choral symphony by Sergei Rachmaninoff that sets Edgar Allan Poe’s poem “The Bells” (in Russian translation) to music, blending lush orchestration with evocative bell-like sonorities.
-
B.
Kamennoi-Ostrow, Op. 10
Kamennoi-Ostrow, Op. 10 is a set of romantic piano pieces by Anton Rubinstein, best known for its lyrical and virtuosic character.
-
C.
Soirées musicales, Op. 6
Soirées musicales, Op. 6 is a set of character pieces for piano by Clara Schumann that showcases her early Romantic style and pianistic virtuosity.
-
D.
La bonne chanson, Op. 61
La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
-
E.
Lieder, Op. 1
Lieder, Op. 1 is a collection of songs by composer Fanny Hensel that showcases her early Romantic style and significant contribution to 19th-century art song.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.