Attitudes (tableaux vivants)

Target entity: Attitudes (tableaux vivants)
Context triple: [Emma Hart, notableFor, Attitudes (tableaux vivants)]

• A. Music in the Tuileries
  Music in the Tuileries is an 1862 oil painting by Édouard Manet that depicts fashionable Parisians gathered at a concert in the Tuileries Gardens, reflecting modern urban life and social spectacle.
• B. L’Œuvre d’art vivant
  L’Œuvre d’art vivant is a seminal theoretical text by stage designer Adolphe Appia that redefines theatrical production through the integration of space, light, movement, and music into a unified living work of art.
• C. Salon of 1874
  The Salon of 1874 was a pivotal Paris art exhibition that marked a turning point in 19th-century French art, showcasing works that challenged academic traditions and helped usher in modern painting.
• D. Les Traditions de l’art
  Les Traditions de l’art is a theoretical and critical work by French Post-Impressionist painter Émile Bernard, in which he reflects on the history, principles, and spiritual dimensions of artistic tradition.
• E. Salon of 1863
  The Salon of 1863 was a landmark French art exhibition, known for the controversial "Salon des Refusés" that showcased rejected works like Manet’s "Le Déjeuner sur l’herbe" and helped spark the rise of modern art.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: Attitudes (tableaux vivants)
Target entity description: Attitudes (tableaux vivants) is a series of performative photographic works by artist Emma Hart that explore staged poses, emotional expression, and the construction of identity through frozen, theatrical scenes.

• A. Music in the Tuileries
  Music in the Tuileries is an 1862 oil painting by Édouard Manet that depicts fashionable Parisians gathered at a concert in the Tuileries Gardens, reflecting modern urban life and social spectacle.
• B. L’Œuvre d’art vivant
  L’Œuvre d’art vivant is a seminal theoretical text by stage designer Adolphe Appia that redefines theatrical production through the integration of space, light, movement, and music into a unified living work of art.
• C. Salon of 1874
  The Salon of 1874 was a pivotal Paris art exhibition that marked a turning point in 19th-century French art, showcasing works that challenged academic traditions and helped usher in modern painting.
• D. Les Traditions de l’art
  Les Traditions de l’art is a theoretical and critical work by French Post-Impressionist painter Émile Bernard, in which he reflects on the history, principles, and spiritual dimensions of artistic tradition.
• E. Salon of 1863
  The Salon of 1863 was a landmark French art exhibition, known for the controversial "Salon des Refusés" that showcased rejected works like Manet’s "Le Déjeuner sur l’herbe" and helped spark the rise of modern art.
• F. None of above. chosen