Frédéric Chopin Impromptu in A-flat major Op. 29
E944984
Frédéric Chopin’s Impromptu in A-flat major, Op. 29, is a lyrical and virtuosic solo piano piece from the Romantic era, noted for its flowing melodies, delicate ornamentation, and improvisatory character.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Frédéric Chopin Impromptu in A-flat major Op. 29 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T11753060 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Frédéric Chopin Impromptu in A-flat major Op. 29 Context triple: [A-flat major, usedInWork, Frédéric Chopin Impromptu in A-flat major Op. 29]
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A.
Frédéric Chopin’s Prelude in C minor, Op. 28, No. 20
Frédéric Chopin’s Prelude in C minor, Op. 28, No. 20 is a brief yet powerful Romantic piano piece renowned for its dramatic chordal writing and enduring influence on later popular music.
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B.
Robert Schumann: Humoreske in B-flat major, Op. 20
Robert Schumann’s Humoreske in B-flat major, Op. 20 is a substantial, introspective piano work from his early Romantic period, notable for its shifting moods and emotional complexity.
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C.
Robert Schumann: Arabeske in C major, Op. 18
Robert Schumann’s Arabeske in C major, Op. 18 is a lyrical and intimate piano piece from his early Romantic period, noted for its poetic character and flowing, song-like melodies.
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D.
Robert Schumann: Kreisleriana, Op. 16
Robert Schumann: Kreisleriana, Op. 16 is a highly expressive and technically demanding piano cycle from the Romantic era, inspired by E.T.A. Hoffmann’s fictional character Johannes Kreisler and noted for its rapid mood shifts and psychological depth.
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E.
Robert Schumann: Fantasie in C major, Op. 17
Robert Schumann’s Fantasie in C major, Op. 17 is a monumental Romantic piano work renowned for its emotional depth, virtuosic demands, and richly imaginative structure.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Frédéric Chopin Impromptu in A-flat major Op. 29 Target entity description: Frédéric Chopin’s Impromptu in A-flat major, Op. 29, is a lyrical and virtuosic solo piano piece from the Romantic era, noted for its flowing melodies, delicate ornamentation, and improvisatory character.
-
A.
Frédéric Chopin’s Prelude in C minor, Op. 28, No. 20
Frédéric Chopin’s Prelude in C minor, Op. 28, No. 20 is a brief yet powerful Romantic piano piece renowned for its dramatic chordal writing and enduring influence on later popular music.
-
B.
Robert Schumann: Humoreske in B-flat major, Op. 20
Robert Schumann’s Humoreske in B-flat major, Op. 20 is a substantial, introspective piano work from his early Romantic period, notable for its shifting moods and emotional complexity.
-
C.
Robert Schumann: Arabeske in C major, Op. 18
Robert Schumann’s Arabeske in C major, Op. 18 is a lyrical and intimate piano piece from his early Romantic period, noted for its poetic character and flowing, song-like melodies.
-
D.
Robert Schumann: Kreisleriana, Op. 16
Robert Schumann: Kreisleriana, Op. 16 is a highly expressive and technically demanding piano cycle from the Romantic era, inspired by E.T.A. Hoffmann’s fictional character Johannes Kreisler and noted for its rapid mood shifts and psychological depth.
-
E.
Robert Schumann: Fantasie in C major, Op. 17
Robert Schumann’s Fantasie in C major, Op. 17 is a monumental Romantic piano work renowned for its emotional depth, virtuosic demands, and richly imaginative structure.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
Romantic-era composition
ⓘ
impromptu ⓘ solo piano piece ⓘ |
| approximateCompositionPeriod | late 1830s ⓘ |
| approximateDuration | 4–5 minutes ⓘ |
| catalogueNumber | B. 87 ⓘ |
| character |
improvisatory
ⓘ
lyrical ⓘ virtuosic ⓘ |
| composer | Frédéric Chopin ⓘ |
| countryOfOrigin | Poland ⓘ |
| dedicatedTo | Countess de Lobau ⓘ |
| firstPublicationYear | 1837 ⓘ |
| followedBy |
Impromptu in F-sharp major, Op. 36
ⓘ
Impromptu in G-flat major, Op. 51 ⓘ |
| form | ternary-like form ⓘ |
| genre | impromptu for piano ⓘ |
| hasKeySignature | four flats ⓘ |
| historicalSignificance | one of the earliest published Romantic impromptus for piano ⓘ |
| influencedBy | improvisatory salon tradition ⓘ |
| instrumentation | solo piano ⓘ |
| key | A-flat major ⓘ |
| languageOfTitle | French ⓘ |
| notableFeature |
contrasting lyrical middle section
ⓘ
delicate ornamentation ⓘ flowing right-hand figurations ⓘ use of rubato in performance tradition ⓘ |
| numberOfImpromptusByChopin | 1st of 4 published impromptus ⓘ |
| opusNumber | Op. 29 ⓘ |
| partOf | Chopin’s piano solo works ⓘ |
| period | Romantic era ⓘ |
| placeOfFirstPublication | Paris ⓘ |
| publisher |
Breitkopf & Härtel
ⓘ
Maurice Schlesinger ⓘ |
| recordedBy |
Arthur Rubinstein
ⓘ
Krystian Zimerman ⓘ Vladimir Ashkenazy ⓘ |
| relatedWork | Fantaisie-Impromptu in C-sharp minor, Op. posth. 66 ⓘ |
| sectionStructure | fast outer sections with contrasting lyrical middle section ⓘ |
| style |
brilliant style
ⓘ
salon style ⓘ |
| technicalDemand | advanced ⓘ |
| tempoIndication | Allegro assai ⓘ |
| titleLanguageForm | Impromptu en la bémol majeur, Op. 29 ⓘ |
| typicalPerformanceContext |
competition repertoire
ⓘ
piano recital ⓘ |
| usesTexture |
arpeggiated accompaniment
ⓘ
melody with accompaniment ⓘ |
| yearComposed | 1837 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
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Input
Subject: Frédéric Chopin Impromptu in A-flat major Op. 29 Description of subject: Frédéric Chopin’s Impromptu in A-flat major, Op. 29, is a lyrical and virtuosic solo piano piece from the Romantic era, noted for its flowing melodies, delicate ornamentation, and improvisatory character.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.