Hellraiser (film score)
E918953
Hellraiser (film score) is a dark, orchestral horror soundtrack composed by Christopher Young, renowned for its haunting, atmospheric themes that helped define the tone of Clive Barker’s 1987 film.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Hellraiser (film score) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T11319754 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Hellraiser (film score) Context triple: [Christopher Young, notableWork, Hellraiser (film score)]
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A.
The Dunwich Horror (film score)
The Dunwich Horror (film score) is a 1970 horror film soundtrack composed by Les Baxter, known for its eerie orchestral and experimental textures that enhance the movie’s occult atmosphere.
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B.
Van Helsing (film score)
Van Helsing (film score) is a dark, action-driven orchestral soundtrack composed by Alan Silvestri for the 2004 gothic horror-adventure film "Van Helsing."
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C.
The Nun (2018 film) score
The Nun (2018 film) score is a horror film soundtrack composed by Benjamin Wallfisch, known for its dark, atmospheric orchestration and intense choral elements that heighten the movie’s supernatural terror.
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D.
The Devil's Rejects (film score)
The Devil's Rejects (film score) is a dark, atmospheric soundtrack composed by Tyler Bates for Rob Zombie's brutal horror film, blending ominous tones and gritty themes to match the movie's violent, grimy aesthetic.
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E.
The Exorcist (TV series score)
The Exorcist (TV series score) is a dark, atmospheric musical soundtrack composed for the television adaptation of the classic horror franchise, blending ominous orchestration with modern sound design to heighten the series’ tension and psychological terror.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Hellraiser (film score) Target entity description: Hellraiser (film score) is a dark, orchestral horror soundtrack composed by Christopher Young, renowned for its haunting, atmospheric themes that helped define the tone of Clive Barker’s 1987 film.
-
A.
The Dunwich Horror (film score)
The Dunwich Horror (film score) is a 1970 horror film soundtrack composed by Les Baxter, known for its eerie orchestral and experimental textures that enhance the movie’s occult atmosphere.
-
B.
Van Helsing (film score)
Van Helsing (film score) is a dark, action-driven orchestral soundtrack composed by Alan Silvestri for the 2004 gothic horror-adventure film "Van Helsing."
-
C.
The Nun (2018 film) score
The Nun (2018 film) score is a horror film soundtrack composed by Benjamin Wallfisch, known for its dark, atmospheric orchestration and intense choral elements that heighten the movie’s supernatural terror.
-
D.
The Devil's Rejects (film score)
The Devil's Rejects (film score) is a dark, atmospheric soundtrack composed by Tyler Bates for Rob Zombie's brutal horror film, blending ominous tones and gritty themes to match the movie's violent, grimy aesthetic.
-
E.
The Exorcist (TV series score)
The Exorcist (TV series score) is a dark, atmospheric musical soundtrack composed for the television adaptation of the classic horror franchise, blending ominous orchestration with modern sound design to heighten the series’ tension and psychological terror.
- F. None of above. chosen
Statements (42)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack album ⓘ |
| associatedWith |
British horror cinema
NERFINISHED
ⓘ
New World Pictures NERFINISHED ⓘ |
| basedOn | Hellraiser (1987 film) NERFINISHED ⓘ |
| composer | Christopher Young NERFINISHED ⓘ |
| composerNationality | American ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| criticalReception |
considered one of Christopher Young’s signature works
ⓘ
widely praised by horror fans ⓘ |
| directorOfRelatedWork | Clive Barker NERFINISHED ⓘ |
| genre |
dark ambient
ⓘ
horror film score ⓘ orchestral music ⓘ |
| hasMood |
claustrophobic
ⓘ
menacing ⓘ supernatural ⓘ tragic ⓘ |
| hasStyle |
brooding brass
ⓘ
choral elements ⓘ dark romanticism ⓘ dissonant strings ⓘ gothic orchestration ⓘ |
| hasTheme |
forbidden desire
ⓘ
otherworldly terror ⓘ pain and pleasure duality ⓘ |
| hasTrackType |
action cues
ⓘ
love theme ⓘ main title theme ⓘ suspense cues ⓘ |
| influenced | later horror film scores ⓘ |
| mediaType | audio ⓘ |
| notableFor |
defining tone of Hellraiser (1987 film)
ⓘ
haunting atmospheric themes ⓘ |
| originalLanguage | instrumental ⓘ |
| partOf | Hellraiser (1987 film) NERFINISHED ⓘ |
| partOfSeries | Hellraiser franchise NERFINISHED ⓘ |
| publicationYear | 1987 ⓘ |
| recordingType | orchestral score ⓘ |
| relatedWork | Hellbound: Hellraiser II (film score) NERFINISHED ⓘ |
| usedFor | Hellraiser (1987 film) NERFINISHED ⓘ |
| usedInGenre | supernatural horror film ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Hellraiser (film score) Description of subject: Hellraiser (film score) is a dark, orchestral horror soundtrack composed by Christopher Young, renowned for its haunting, atmospheric themes that helped define the tone of Clive Barker’s 1987 film.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.