Piano Concerto No. 3
E902014
Piano Concerto No. 3 is Béla Bartók’s lyrical and accessible late piano concerto, celebrated for its folk-inspired melodies and more transparent style compared to his earlier concertos.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Piano Concerto No. 3 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T11019479 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Piano Concerto No. 3 Context triple: [Béla Bartók, notableWork, Piano Concerto No. 3]
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A.
Piano Concerto No. 3 in D minor, Op. 30
Piano Concerto No. 3 in D minor, Op. 30 is a monumental late-Romantic piano concerto renowned for its emotional depth and extreme technical difficulty, making it a cornerstone of the virtuoso piano repertoire.
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B.
Piano Concerto No. 3 in C major
Piano Concerto No. 3 in C major is a virtuosic and rhythmically vibrant 1921 piano concerto by Sergei Prokofiev, renowned for its brilliant orchestration and enduring popularity in the concert repertoire.
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C.
Piano Concerto No. 3 in G major, Op. 45
Piano Concerto No. 3 in G major, Op. 45 is a large-scale Romantic concerto for piano and orchestra by Russian composer Anton Rubinstein, noted for its virtuosic solo writing and expansive, lyrical character.
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D.
Piano Concerto No. 2
Piano Concerto No. 2 is a virtuosic and rhythmically complex 20th-century piano concerto by Béla Bartók, renowned for its percussive piano writing and innovative orchestration.
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E.
Piano Concerto No. 2
Piano Concerto No. 2 is a lively and accessible concerto for piano and orchestra by Dmitri Shostakovich, celebrated for its lyrical slow movement and playful outer movements.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Piano Concerto No. 3 Target entity description: Piano Concerto No. 3 is Béla Bartók’s lyrical and accessible late piano concerto, celebrated for its folk-inspired melodies and more transparent style compared to his earlier concertos.
-
A.
Piano Concerto No. 3 in D minor, Op. 30
Piano Concerto No. 3 in D minor, Op. 30 is a monumental late-Romantic piano concerto renowned for its emotional depth and extreme technical difficulty, making it a cornerstone of the virtuoso piano repertoire.
-
B.
Piano Concerto No. 3 in C major
Piano Concerto No. 3 in C major is a virtuosic and rhythmically vibrant 1921 piano concerto by Sergei Prokofiev, renowned for its brilliant orchestration and enduring popularity in the concert repertoire.
-
C.
Piano Concerto No. 3 in G major, Op. 45
Piano Concerto No. 3 in G major, Op. 45 is a large-scale Romantic concerto for piano and orchestra by Russian composer Anton Rubinstein, noted for its virtuosic solo writing and expansive, lyrical character.
-
D.
Piano Concerto No. 2
Piano Concerto No. 2 is a lively and accessible concerto for piano and orchestra by Dmitri Shostakovich, celebrated for its lyrical slow movement and playful outer movements.
-
E.
Piano Concerto No. 2
Piano Concerto No. 2 is a mid-20th-century concerto for piano and orchestra by American composer Ned Rorem, noted for its lyrical, neo-Romantic style and expressive orchestration.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
concerto
ⓘ
piano concerto ⓘ |
| catalogNumber |
BB 127
NERFINISHED
ⓘ
Sz. 119 NERFINISHED ⓘ |
| characteristic |
lyrical
ⓘ
more accessible than Bartók’s earlier piano concertos ⓘ transparent texture ⓘ |
| comparedTo |
Piano Concerto No. 1 (Bartók)
NERFINISHED
ⓘ
Piano Concerto No. 2 (Bartók) NERFINISHED ⓘ |
| completedBy | Tibor Serly NERFINISHED ⓘ |
| composer | Béla Bartók NERFINISHED ⓘ |
| countryOfComposition | United States NERFINISHED ⓘ |
| dedicatedTo | Ditta Pásztory-Bartók NERFINISHED ⓘ |
| dedicationType | birthday present ⓘ |
| genre | classical music ⓘ |
| influencedBy | Central European folk music ⓘ |
| key | E major ⓘ |
| language | instrumental ⓘ |
| movement |
I. Allegretto
ⓘ
II. Adagio religioso ⓘ III. Allegro vivace ⓘ |
| notableFeature |
Adagio religioso movement with chorale-like writing
ⓘ
virtuosic but less aggressive piano writing ⓘ |
| numberOfMovements | 3 ⓘ |
| opusChronology | Bartók’s last completed orchestral work ⓘ |
| periodInComposerLife | late Bartók period ⓘ |
| placeOfComposition | New York City NERFINISHED ⓘ |
| positionInComposerOutput | third piano concerto by Béla Bartók NERFINISHED ⓘ |
| premiereConductor | Eugene Ormandy NERFINISHED ⓘ |
| premiereCountry | United States NERFINISHED ⓘ |
| premiereDate | February 8, 1946 ⓘ |
| premiereOrchestra | Philadelphia Orchestra NERFINISHED ⓘ |
| premierePlace | Philadelphia NERFINISHED ⓘ |
| premiereSoloist | György Sándor NERFINISHED ⓘ |
| publisher | Boosey & Hawkes NERFINISHED ⓘ |
| relativeStyle |
less dissonant than Piano Concerto No. 2
GENERATED
ⓘ
less percussive than Piano Concerto No. 1 GENERATED ⓘ |
| scoredFor | piano and orchestra ⓘ |
| statusAtComposerDeath | nearly completed ⓘ |
| style |
20th-century classical music
ⓘ
folk-inspired ⓘ neoclassical elements ⓘ |
| timePeriodOfComposition | 1945 ⓘ |
| typicalDuration | about 25 minutes ⓘ |
| uses |
Bartókian night music elements
ⓘ
folk-like melodies ⓘ modal harmonies ⓘ |
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Subject: Piano Concerto No. 3 Description of subject: Piano Concerto No. 3 is Béla Bartók’s lyrical and accessible late piano concerto, celebrated for its folk-inspired melodies and more transparent style compared to his earlier concertos.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.