George Marino

E881800

George Marino was a renowned American mastering engineer known for his work on numerous classic rock and metal albums over several decades.

All labels observed (1)

Label Occurrences
George Marino canonical 4

How this entity was disambiguated

Statements (44)

Predicate Object
instanceOf mastering engineer
person
activeYearsEndTime 2010s
activeYearsStartTime 1960s
awardReceived Grammy Award for Best Rock Album (as mastering engineer for Arcade Fire – The Suburbs)
countryOfCitizenship United States of America
employer Sterling Sound
fieldOfWork audio mastering
music production
genre hard rock
heavy metal music
rock music
hasInstrument analog mastering equipment
digital mastering equipment
mixing console
influenced later generations of mastering engineers
knownFor high‑profile major label releases
mastering classic rock albums
mastering heavy metal albums
languageOfWorkOrName English
notableClient AC/DC
Aerosmith
Arcade Fire
Bon Jovi
Coldplay
Guns N’ Roses
linked to: Guns N' Roses

Metallica
Mötley Crüe
linked to: Motley Crue

Skid Row
notableWork AC/DC – Back in Black (mastering)
AC/DC – Highway to Hell (mastering)
Aerosmith – Toys in the Attic (mastering)
Arcade Fire – The Suburbs (mastering)
Bon Jovi – Slippery When Wet (mastering)
linked to: Slippery When Wet

Coldplay – Parachutes (mastering)
Guns N’ Roses – Appetite for Destruction (mastering)
Metallica – Master of Puppets (mastering)
linked to: Master of Puppets

Metallica – Ride the Lightning (mastering)
Mötley Crüe – Dr. Feelgood (mastering)
Skid Row – Skid Row (mastering)
linked to: Skid Row (album)
occupation audio engineer
mastering engineer
partOf American recording industry
workLocation New York City

How these facts were elicited

Referenced by (4)

Full triples — surface form annotated when it differs from this entity's canonical label.